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Thea Windsong, self-styled shaman, comes to affluent Wellesford, Connecticut, to buy a home, a middle-aged woman with long, black hair, a pickup truck, and no apparent connections to the town. The property that wins her heart is a rundown little house by the railroad tracks off Thornwood Road, across the pond from a Civil War cemetery, and saddled with the rumor that it is haunted by the spirit of an ancient witch. “This is a she-wood!” Thea says, sensing a “divine feminine energy” in the near-wilderness surrounding the old cottage and barn. When Thea vanishes shortly after becoming the property’s new owner, the only one who seems to care is Lydie Pretlove, the real estate agent who tried to talk her out of buying it. As the conventional Lydie probes into Thea’s bewildering world, she feels herself falling under the she-wood’s spell, until her newfound “feminine energy” recaptures the body and soul of her ex-husband John, still married to his beautiful, neurotic second wife, Isabel.But it will take a chain of horrific events before Lydie discovers the she-wood’s secret, and a struggle with her conscience over whether to reveal it.
Praise for Realtor? Magazine's BROKER to BROKER "By providing best practice management tips with thought-provokingideas, Broker to Broker offers invaluable guidance on virtuallyevery aspect of our dynamic industry. The book's easy-to-readformat, with in-depth supporting material available online, is aninnovative approach to helping the country's brokers and managersfind effective solutions to today's challenges." --Ron Peltier, President and CEO, HomeServices of America, Inc.,Minneapolis, Minnesota "This compilation of the latest Realtor? Magazine articles on realestate brokerage management could be of help to brokers andmanagers looking for practical ideas to boost their operations. Thebook...
Emilla Rubinstein is the only child of a wealthy entrepreneur in pre-war Poland. She leads a carefree, privileged life, and while vacationing in Truskawiec meets the handsome, young Czartoryski, presumably of noble birth. They fall in love. Czartoryski charms his way into the Rubinstein family, claiming his own family lost all wealth.. The Rubinsteins object to their relationship due to the difference in religion. Nonetheless, they help him financially for the sake of their pampered daughter. The hot romance is soon interrupted by the outbreak of W.W. II. Emilia is caught into the web of Holocaust and is forced to mature very quickly. She becomes separated from her parents and every day is a...
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
This book advances a theoretically informed realist criminology of computer crime. Looking beyond current strategies of online crime control, this book argues for a new sort of policy that addresses the root causes of computer crime and criminality, reduces the harms experienced by the victims of such crimes, and does not unduly contribute to state and corporate power and surveillance. Drawing both on the proponents of realist criminology and on those who have leveled critiques of the approach, Steinmetz illustrates the contours of a realist criminology of computer crime by considering definitions of harm with online crime, the idiosyncrasies of online locality and community, the social relations of computer crime, the tension between piecemeal reform and structural changes, and other matters. Furthermore, Steinmetz surveys the methodological dimensions of computer crime research, offers a critique of positivist “computational criminology,” and posits an agenda for computer crime policy. Against Cybercrime is an essential reading for all those engaged with cybercrime, realist criminology, criminological theory, and social harm online.
Looks at the serial murders in Britain from the 'gay murders' of Michael Copeland in 1960 to the Ipswich murders of 2006. This work follows events from a social and victim-related perspective. It also covers the following killers' victims: The Ipswich murders of 2006, Peter Sutcliffe (The Yorkshire Ripper), Dennis Nilsen, and Harold Shipman.
Author of statues in the major churches of Padua and Venice, Giammaria Mosca was among the leading sculptors in northern Italy during the second and third decades of the sixteenth century. In 1529 Mosca was summoned by the King of Poland to erect his tomb in Cracow. From 1533 until the artist's death in 1574, documents at regular intervals record important commissions to Mosca throughout Poland from the Polish royal family, as well as from prominent members of the nobility and ecclesiastical hierarchy. Many of Mosca's inscribed and documented monuments survive in their original site and state and testify to the sculptor's key role in the diffusion in Eastern Europe of Italian Renaissance ide...