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Watson's draws on a wide assortment of Fassbinder interviews--many of which are not available in English--and on theoretical and critical approaches employed in the Frankfurt School, performance and reception theories, gay and lesbian film theory, and studies of melodrama and camp. Watson also incorporates his own interviews with Fassbinder's mother and with the woman who served as Fassbinder's film editor and companion during the final four years of his life. A comprehensive, balanced study, 'Understanding Rainer Werner Fassbinder' also features an annotated bibliography, extensive notes, a filmography of Fassbinder's works, and a listing of films and television programs that examine Fassbinder and his achievements."--Back cover.
A Companion to Rainer Werner Fassbinder is the first of its kind to engage with this important figure. Twenty-eight essays by an international group of scholars consider this controversial director's contribution to German cinema, German history, gender studies, and auteurship. A fresh collection of original research providing diverse perspectives on Fassbinder’s work in films, television, poetry, and underground theatre. Rainer Werner Fassbinder remains the preeminent filmmaker of the New German Cinema whose brief but prolific body of work spans from the latter half of the 1960s to the artist’s death in 1982. Interrogates Fassbinder’s influence on the seminal ideas of his time: auteur...
This book is an attempt to trace and illuminate, through interviews with colleagues, friends, and contemporaries, different perspectives about Rainer Werner Fassbinder.
This is the first of its kind to engage with this important figure. Essays by an international group of scholars consider this controversial director's contribution to German cinema, German history, gender studies, and auteurship. - A fresh collection of original research providing diverse perspectives on Fassbinder's work in films, television, poetry, and underground theatre. - Rainer Werner Fassbinder remains the preeminent filmmaker of the New German Cinema whose brief but prolific body of work spans from the latter half of the 1960s to the artist's death in 1982. - Interrogates Fassbinder's influence on the seminal ideas of his time: auteurship, identity, race, queer studies, and the cat...
Publisher description
The work of the West German artist Rainer Werner Fassbinder is as versatile as it is extensive. During the 16 years of his artistic career, Fassbinder produced more than 40 films and staged 29 plays half of which he had written himself. In doing so he not only drew on aesthetic traditions as diverse as the German folk play, the American gangster film, Hollywood melodrama, the Theatre of Cruelty and the French Nouvelle Vague, but also worked in three media simultaneously: theatre, cinema, and television. It has often been pointed out that this versatility appears to forestall any conceptualisation of Fassbinder's work from the vantage point of its production. The present work aims at exactly such a conceptualisation by exploring the interplay between his work for the different media.
Fassbinder's version of modern post-civilized terror was, like much else about his work, ahead of its time. --San Francisco Chronicle
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