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In Lucid Language That Speaks To Laymen And Architects Alike, This Book Provides A History Of Twentieth Century Architecture In India. It Examines In Detail The Early Influences On Indian Architecture Both Of Movements Like The Bauhaus As Well As Prominent Individuals Like Habib Rehman, Jawaharlal Nehru, Frank Lloyd Wright And Le Corbusier.
Talking Architecture is a part of the series of Ramin Jahanbegloo’s conversations with prominent Indian intellectuals. This revised edition presents additional visuals and an extended dialogue between Jahanbegloo and Raj Rewal, one of India’s leading architects. The conversation flows effortlessly and we learn of Rewal’s early life and experiences in Europe. The discussions also encompass the aesthetic foundations of Indian architecture as well as the role of architecture in the twenty-first century.
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This timely book reflects an awakening of interest in religious faiths and the emergence of a 'global exchange of architecture and culture. While Spain's Rafael Moneo has recently completed a cathedral in Los Angeles, Britain's Thomas Heatherwick is designing a Buddhist temple in Japan, John Pawson is working on a Cistercian monastery in the Czech Republic and Richard Meier has completed his Jubilee Church in Rome. It seems, as one Wallpaper registered] pundit commented, 'religion is getting a redesign' and the architect's faith is as unimportant as his or her nationality. I Looking at ways in which contemporary architects are approaching religious or meditative space, this book focuses on churches, chapels, temples, synagogues and mosques that have been built in the last few years and that represent a late-twentieth/ early-twenty-first century aesthetic.
The book contributes to a recontextualization of authenticity by investigating how this value is created, reenacted, and assigned. Over the course of the last century, authenticity figured as the major parameter for the evaluation of cultural heritage. It was adopted in local and international charters and guidelines on architectural conservation in Europe, South and East Asia. Throughout this period, the concept of authenticity was constantly redefined and transformed to suit new cultural contexts and local concerns. This volume presents colonial and postcolonial discourses, opinions, and experiences in the field of architectural heritage conservation and the use of site-specific practices ...
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In this ground-breaking study the traditional Indian science of architecture and house-building, Vastu Vidya, is explored in terms of its secular uses, at the levels of both theory and contemporary practice. Vastu Vidya is treated as constituting a coherent and complete architectural programme, still of great relevance today. Chakrabarti draws on an impressive amount of textual material, much of it only available in Sanskrit, and presents several extremely valuable illustrations in support of the theories expounded. Each chapter deals with one architectural aspect, and chapters are divided into three sections. For each aspect, the first section explains the prescriptions of the traditional texts; the second section deals with the rather arbitrary use of that aspect by contemporary Indian architects trained in the western manner but striving to relate to Indian roots; while the last section in each chapter explores the selected use of that particular aspect by contemporary Vastu pundits, with their disregard for architectural idiom
The Structure explores the work of Mahendra Raj, India's most significant structural engineer. Examining Raj's sixty prolific years of practice, this volume looks at his unusually inventive and intuitive work and how he has offered pioneering engineering solutions for buildings in exposed concrete. As this book shows, many of his structures can be seen as monuments narrating the history of architecture in post-independence India. The Structure features twenty-eight of Mahendra Raj's buildings in detail through rich photographs and color reproductions of archival plans. Essays are contributed by Raj himself and by the architects Neelkanth Chhaya and Jaimini Mehta. Also included are interviews with Raj by the architect Sanjay Prakash and curator Hans Ulrich Obrist, a conversation with the architect BV Doshi, as well as an illustrated complete list of Raj's works.
In a systematic section, this volume introduces the design, technical, and planning fundamentals of building churches, synagogues, and mosques. In its project section, it also presents about seventy realized structures from the last three decades.
1960, following as it did the last CIAM meeting, signalled a turning point for the Modern Movement. From then on, architecture was influenced by seminal texts by Aldo Rossi and Robert Venturi, and gave rise to the first revisionary movement following Modernism. Bringing together leading experts in the field, this book provides a comprehensive, critical overview of the developments in architecture from 1960 to 2010. It consists of two parts: the first section providing a presentation of major movements in architecture after 1960, and the second, a geographic survey that covers a wide range of territories around the world. This book not only reflects the different perspectives of its various authors, but also charts a middle course between the 'aesthetic' histories that examine architecture solely in terms of its formal aspects, and the more 'ideological' histories that subject it to a critique that often skirts the discussion of its formal aspects.