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Shows Goings' paintings of diners, street scenes, stores, garages, and pickup trucks, discusses his influence on the photo-realism movement, and includes the artist's comments on his work.
Clementine Wim spots a famous painting being carried away from the Capitol City Art Museum. But when she arrives at the museum, the painting is hanging right where it should be. It's up to Clementine to convince the others and determine fact from forgery before it's too late.
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First Published in 2017. Routledge is an imprint of Taylor & Francis, an Informa company.
This book offers a radically new perspective on the Pop Art creative dynamic that has been around since the 1950s. The book discusses the major contributors to the Pop/Mass-Culture Art tradition right up to the present, including a number of artists who have never previously been associated with so-called Pop Art but whose work showed a strong interest in mass-culture. The book reproduces, in colour and in great detail, over 150 of the key works of the Pop/Mass-Culture Art tradition, allowing the reader to have a closer look and better understanding of these images.
A revealing look at the irrevocable change in art during the 1960s and its relationship to the modern culture of fact This refreshing and erudite book offers a new understanding of the transformation of photography and the visual arts around 1968. Author Joshua Shannon reveals an oddly stringent realism in the period, tracing artists’ rejection of essential truths in favor of surface appearances. Dubbing this tendency factualism, Shannon illuminates not only the Cold War’s preoccupation with data but also the rise of a pervasive culture of fact. Focusing on the United States and West Germany, where photodocumentary traditions intersected with 1960s politics, Shannon investigates a broad variety of art, ranging from conceptual photography and earthworks to photorealist painting and abstraction. He looks closely at art by Bernd and Hilla Becher, Robert Bechtle, Vija Celmins, Douglas Huebler, Gerhard Richter, and others. These artists explored fact’s role as a modern paradigm for talking, thinking, and knowing. Their art, Shannon concludes, helps to explain both the ambivalent anti-humanism of today’s avant-garde art and our own culture of fact.
This is a survey of the history of art and architecture of Western civilizations. The textbook extends from the age of the Renaissance until the end of the 20th Century. The textbook includes illustrations, graphs, and reconstruction images curated from Creative Commons material. The textbook includes original text not protected intellectual property.
Endlessly pursued but ever elusive, Moby-Dick roams freely throughout the American imagination. A fathomless source for literary exploration, Melville's masterpiece has also inspired a stunning array of book illustrations, prints, comics, paintings, sculptures, mixed media, and even architectural designs. Innovative and lavishly illustrated, Unpainted to the Last illuminates this impressive body of work and shows how it opens up our understanding of both Moby-Dick and twentieth-century American art. The most continuously, frequently, and diversely illustrated of all American novels, Moby-Dick has attracted some remarkable book illustrators in Rockwell Kent, Boardman Robinson, Garrick Palmer,...
"Presenting, interpreting, and celebrating the world-renowned and the lesser-known California artists who have uniquely defined and redefined the still life, this volume offers an exploration of the sensual pleasures, the aesthetic challenges, and the intellectual and perceptual associations of a century of art through the prism of a single genre."--BOOK JACKET.
From Lucy, the colossal elephant-shaped building on the Jersey Shore, to the grand donut atop Randy's in Los Angeles, this full-color guide profiles the commercial giants that loom over America's highways. Created to sell products and promote tourism in a big way, they can be found all over the United States. The authors have traveled far and wide to bring readers the world's largest duck in Long Island, an enormous Amish couple in Pennsylvania Dutch Country, and towering Paul Bunyans all over the Midwest. There are buildings shaped like hot dogs, ice cream cones, and baskets, as well as the roadside phenomena known as "Muffler Men," giants who originally advertised mufflers but now have been converted to cowboys, Indians, spacemen, and pirates. Big fun!