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History of Orissa
An exhaustive, yet fascinating, account of the history of Odisha (earlier Orissa) from the prehistoric times to 1568 CE by synthesising authentic evidence from the original sources such as literary, epigraphic, numismatics, archaeological, historical, and travellers’ accounts in chronological order… First published in 1981, the book has undergone several editions and is widely acclaimed and ranks among the most authentic historical books on the history and culture of Odisha. The book is divided into 19 chapters. The first—Introductory Chapter—explores the prehistoric period against the backdrop of the topographic setting of the region. Chapters 2 to 12 deal with the dynastic history ...
Cuttack, One Thousand Years
Contributed articles on the history, culture, and description of the Cuttack City, Orissa.
The Art of Ancient India
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan...
The Path
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Tāntricism
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KONARK - THE BLACK PAGODA
The sun temple of Konark in Orissa, also famous as the Black Pagoda, is undoubtedly one of the finest monuments of India. Even in ruins, the temple complex is a magnificent monument where the vitality and spirit of bygone creative age in the history of Orissa are echoed e en today in its life like sculptures.
Glory of India
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Mahisamardini
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Jaina-rūpa-maṇḍana
The JAINA-RUPA-MANDANA Volume I is an authentic work on Jaina iconography from the pen of a well-known authority on the subject, Dr. Umakant P.Shah, an eminent Indologist and art-historian with specialization in Jaina art and literature. Illustrated profusely with over two hundred monochrome plates, the work is a standard textbook and a very useful guide to all students in Indian art and archaeology and to Museum Curators. The work is supplemented with a large number of iconographic tables for images of all important Jaina gods and goddesses. Dr. Shah, the author, has for the first time given solutions to various basis problems of Jaina iconography supported with ample evidence from both archaeology and literature including unpublished original texts still in manuscripts.
