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Adi Bergeron doesn’t want to be discovered. Discovery could lead to her arrest or worse. She just wants to keep flying under the radar, safe and anonymous. She may have to give up the life she’s built for herself when the restaurant she works in is chosen to be featured in a culinary magazine. Reporter Griffith McNaulty has had a rocky year. She’s struggling to rebuild herself after having her reputation destroyed and her heart broken by a previous interview subject. She’s jaded and hesitant to accept the flimsy story Adi presents as her past. The relationship that develops between them cements Griffith’s need to find Adi’s truth. Can she get to the root of Adi’s fear or will the past destroy them both?
In the decades following the American Civil War and leading up to the First World War, a definitive shift in power took place between Spain and the United States. This original book explores American artists’ perceptions of Spain during this period of turmoil and demonstrates how their responses to Spanish art helped to answer emerging, complex questions about American national identity. M. Elizabeth Boone focuses on works by Thomas Eakins, Mary Cassatt, William Merritt Chase, John Singer Sargent, Robert Henri, and other American artists who traveled to Spain to study the achievements of such great masters as Murillo, Velázquez, and Goya. The resulting American paintings, some well known and others now largely forgotten, provide intriguing insights not only into the 19th-century American struggle to define itself as an imperial power but also into the relations between the United States and the Spanish-speaking world today.
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