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Delia Webster and the Underground Railroad
In this captivating tale, Randolph Paul Runyon follows the trail of the first woman imprisoned for assisting runaway slaves and explores the mystery surrounding her life and work. In September 1844, Delia Webster took a break from her teaching responsibilities at Lexington Female Academy and accompanied Calvin Fairbank, a Methodist preacher from Oberlin College, on a Saturdary drive in the country. At the end of their trip, their passengers—Lewis Hayden and his family—remained in southern Ohio, ticketed for the Underground Railroad. Webster and Fairbank returned to a near riot and jail cells. Webster earned a sentence to the state penitentiary in Frankfort, where the warden, Newton Craig...
The Art of the Persian Letters
"Readers of Montesquieu will through this study discover a new Persian Letters, as the exquisite subtlety of its construction is laid bare for the first time. It should find a new appreciation as a work of art, and not merely as a precursor to the author's Of the Spirit of the Laws. The Letters will henceforth be read in the light of similarly composite texts, from Montaigne's Essays to Baudelaire's Fleurs du mal."--Jacket.
The Mentelles
Though they were not, as Charlotte claimed, refugees from the French Revolution, Augustus Waldemar and Charlotte Victoire Mentelle undoubtedly felt like exiles in their adopted hometown of Lexington, Kentucky -- a settlement that was still a frontier town when they arrived in 1798. Through the years, the cultured Parisian couple often reinvented themselves out of necessity, but their most famous venture was Mentelle's for Young Ladies, an intellectually rigorous school that attracted students from around the region and greatly influenced its most well-known pupil, Mary Todd Lincoln. Drawing on newly translated materials and previously overlooked primary sources, Randolph Paul Runyon explores...
The Braided Dream
A close reading of the late (Warren died in September 1989) great poet's last four sequences--Now and then, Being here, Rumor verified, and Altitudes and extensions. Annotation copyrighted by Book News, Inc., Portland, OR
Reading Raymond Carver
In this rewarding study of one of the most important writers of recent decades, Randolph Paul Runyon reveals an ambitious metafiction beneath the terse style of Carver's works and places Carver squarely in the context of the minimalist debate. Runyon's reading ably demonstrates that Carver's stories, especially as they appear in his three major collections, Will You Please Be Quiet, Please?, What We Talk About When We Talk About Love, and Cathedral, and the seven new stories in Where I'm Calling From, are strikingly intricate and cast their subtlest spells by indirection. He reveals the intricate metaphorical connections, the structural overlaps, that are overlooked in past Carver criticism....
La Fontaine's Complete Tales in Verse
Though they were first written over 300 years ago, this is the first complete English translation of Jean de La Fontaine's comedic classic Contes et nouvelles en vers. Both sexually charged and wickedly funny, La Fontaine's Tales will surprise readers who know him only from his work on fables for children. Though the writing is more suggestive than vulgar, it still has the power to shock readers unprepared for the darkness that inhabits these poems. Included are nearly seventy illustrations dating from the 18th and 19th centuries, many of them rare, as well as extensive commentary by the editor.
The Photographic Invention of Whiteness
Focusing on the creation of the concept of Whiteness, this study links early photographic imagery to the development and exploitation that were common in the colonial Atlantic World of the mid-to-late nineteenth century. With the advent of the daguerreotype in the mid-nineteenth century, White European settlers could imagine themselves as a supra-national community, where the attainment of wealth was rapidly becoming accessible through colonisation. Their dispersal throughout the colonial territories made possible the advent of a new representative type of Whiteness that eventually merged with the portrayal of modernity itself. Over time, the colonisation of the Atlantic World became synonym...
Not Far From Here
Hailed as the “American Chekhov” by the Times Literary Supplement, Raymond Carver is the most popular and influential American short-story writer since Ernest Hemingway. His works have been adapted to film and translated into more than twenty languages. Yet despite this international appeal, the critical attention to his writing has originated mostly in the US. In an attempt to expand the scope and range of Carver criticism, Not Far From Here: The Paris Symposium on Raymond Carver – based on papers delivered at the International Conference of the Raymond Carver Society at the University of Paris XII on the occasion of the twentieth anniversary of the author’s death – offers an enga...
Southern Literature and Literary Theory
In this stimulating collection of essays, twenty scholars apply new theoretical approaches to the fiction and poetry of southern writers ranging from Poe to Dickey, from Faulkner to Hurston. Departing from earlier traditions of southern literary scholarship, this book seeks not to create a new orthodoxy but to suggest the diversity of critical tools that can now be used to explore the literature and culture of the South. Including essays based on deconstructionist, feminist, and Marxist theory, the book features contributions from such critics as Henry Louis Gates, Harold Bloom, Fred Chappell, and Joan DeJean. Yet, for all their variety, the essayists share the same central concern. "We have...
Slavery and Freedom in the Bluegrass State
Stephen Foster's "My Old Kentucky Home" has been designated as the official state song and performed at the Kentucky Derby for decades. In light of the ongoing social justice movement to end racial inequality, many have questioned whether the song should be played at public events, given its inaccurate depiction of slavery in the state. In Slavery and Freedom in the Bluegrass State, editor Gerald L. Smith presents a collection of powerful essays that uncover the long-forgotten stories of pain, protest, and perseverance of African Americans in Kentucky. Using the song and the museum site of My Old Kentucky Home as a central motif, the chapters move beyond historical myths to bring into sharpe...
