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The Spying Moon
The unexplained disappearance of her mother left her an orphan so Kendall Moreau became a police officer and pursued a posting in the town where her mother went missing. She is on her way to her first posting when she gets reassigned to a task force in Maple River, hundreds of miles from where her mother vanished. Moreau doesn’t want to be in Maple River. Most of her team doesn’t want her there, either. She’s partnered with Nate Duncan, whose role on the task force raises suspicions amongst the team because of his family’s criminal connections, adding to Moreau’s sense of isolation. They are assigned to investigate the death of Sammy Petersen but Duncan’s personal connection to t...
The Power of Comics
Offers undergraduate students with an understanding of the comics medium and its communication potential. This book deals with comic books and graphic novels. It focuses on comic books because in their longer form they have the potential for complexity of expression.
Enhancing Teaching and Learning through Assessment
Assessment is the daily life of a teacher; designing plans, setting questions, giving feedback and grading are all activities that teachers undertake on a regular basis. This book provides a practical guide on the effective use of assessment. It includes the use of assessment tools and pedagogical design that help students deepen their learning. Major issues on assessment and some excellent examples are presented as a useful resource to university teachers in enhancing teaching and students' learning.
Ripple
As the 21st century brings about numerous 'firsts, ' Ripple is an intimate recollection of the last twelve space shuttle missions from a unique perspective. This book touches on the technical information surrounding the process of launching a four-million pound mass into space, but emphasizes the people and the environment surrounding the processes attached to the launch
Comics and Archaeology
This book adds to the scant academic literature investigating how comics transmit knowledge of the past and how this refraction of the past shapes our understanding of society and politics in sometimes damaging ways. The volume comes at these questions from a specifically archaeological perspective, foregrounding the representation and narrative use of material cultures. It fulfils its objectives through three reception studies in the first part of the volume and three chapters by comic creators in the second part. All six chapters aim to grapple with a set of central questions about the power inherent in drawn images of various kinds.
Keywords for Comics Studies
Across more than fifty original essays, Keywords for Comics Studies provides a rich, interdisciplinary vocabulary for comics and sequential art. The essays also identify new avenues of research into one of the most popular and diverse visual media of the twentieth and twenty-first centuries.0Keywords for Comics Studies presents an array of inventive analyses of terms central to the study of comics and sequential art that are traditionally siloed in distinct lexicons: these include creative and aesthetic terms like Ink, Creator, Border, and Panel; conceptual terms such as Trans*, Disability, Universe, and Fantasy; genre terms like Zine, Pornography, Superhero, and Manga; and canonical terms l...
Comics and Pop Culture
It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Representing diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies, Comics and Pop Culture presents more than a dozen perspectives on this rich history and the effects of such adaptations. Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.
Comic Books Incorporated
Comic Books Incorporated tells the story of the US comic book business, reframing the history of the medium through an industrial and transmedial lens. Comic books wielded their influence from the margins and in-between spaces of the entertainment business for half a century before moving to the center of mainstream film and television production. This extraordinary history begins at the medium’s origin in the 1930s, when comics were a reviled, disorganized, and lowbrow mass medium, and surveys critical moments along the way—market crashes, corporate takeovers, upheavals in distribution, and financial transformations. Shawna Kidman concludes this revisionist history in the early 2000s, when Hollywood had fully incorporated comic book properties and strategies into its business models and transformed the medium into the heavily exploited, exceedingly corporate, and yet highly esteemed niche art form we know so well today.
The Art of Pere Joan
Born in Mallorca, Pere Joan Riera (known professionally as Pere Joan) thrived in the underground comics world, beginning in the mid-1970s with the self-published collections Baladas Urbanas and MuŽrdago, both of which were released almost immediately after the death of the dictator Francisco Franco and Spain's transition to democracy. The first monograph in English on a comics artist from the Spain, The Art of Pere Joan takes a topographical approach to reading comics, applying theories of cultural and urban geography to Pere Joan’s treament of space and landscape in his singular body of work. Balancing this goal with an exploration of specific works by Pere Joan, Benjamin Fraser demonstrates that looking at the thematic, structural, and aesthetic originality of the artist's landscape-driven work can help us begin to newly understand the representational properties of comics as a spatial medium. This in-depth examination reveals the resonance between the cultural landscapes of Mallorca and Pere Joan's metaphorical approach to both rural and urban environments in comics that weave emotional, ecological, and artistic strands in revolutionary ways.
What It Means to Be a Hawkeye
This unique, compelling new title assembles the greatest players from one of the most celebrated teams in college football to share their personal memories. Filled with firsthand accounts with dozens of players--from the team's early days through the new millennium. "What It Means to Be a Hawkeye: Kirk Ferentz and Iowa's Greatest Players "explores the program's vast success and the seemingly simple question: What does it mean to be a Hawkeye? One person or one phrase cannot answer that question because so many different emotions encompass the true Hawkeye spirit. Over 50 of the greatest Iowa student-athletes, coaches, and administrators from the past century were called upon to express why they are so proud to be a part of the storied tradition that is Iowa football. "What It Means to Be a Hawkeye" brings together all of their stories. It's not just one tradition, one season or one particular game--it's the stories coming from the student-athletes and coaches who made the magic happen over the decades that capture the true essence of representing the University of Iowa.
