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Dismantling the Master's Clock
A radical new treatise on time, quantum physics, and racial justice from world-renowned artist Rasheedah Phillips of Black Quantum Futurism. Why do some processes--like aging, birth, and car crashes--occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations. Phillips unfolds the history of time and its legacy of racial oppression, from colonia...
Black Quantum Futurism
Black Quantum Futurism (or BQF) is a new approach to living and experiencing reality by way of the manipulation of space-time in order to see into possible futures, and/or collapse space-time into a desired future in order to bring about that future's reality. This vision and practice derives its facets, tenets, and qualities from quantum physics, futurist traditions, and Black/African cultural traditions of consciousness, time, and space. Inside of the space where these three traditions intersect exists a creative plane that allows for the ability of African-descended people to see "into," choose, or create the impending future. Featuring visions by Rasheedah Phillips, Moor Mother Goddess, Warren C. Longmire, Almah Lavon, Joy Kmt, Thomas Stanley, PhD, and Nikitah Okembe-RA Imani, PhD.
The Telescoping Effect
On the brink of the 100 year anniversary of the Red Summer of 1919 and the Solar Eclipse of 1919 that would confirm the theory of relativity, an anthropologist seeking to dig up her own family roots becomes entangled in a web of retrocurence that touches upon all of these events. She will discover, in turn, how each of these events have not only shaped the curve of her own family tree, but how they have shifted the very fabric of space-time.
Black Futures
“A literary experience unlike any I’ve had in recent memory . . . a blueprint for this moment and the next, for where Black folks have been and where they might be going.”—The New York Times Book Review (Editors’ Choice) What does it mean to be Black and alive right now? Kimberly Drew and Jenna Wortham have brought together this collection of work—images, photos, essays, memes, dialogues, recipes, tweets, poetry, and more—to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The book presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Readers will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to dazzling paintings and insightful infographics. In answering the question of what it means to be Black and alive, Black Futures opens a prismatic vision of possibility for every reader.
Space-Time Collapse II
Space-Time Collapse is an experimental writing and image series applying Black Quantum Futurism and other Black speculative practices and theory to various space-time collapse phenomenon. Part II considers time, memory, and temporality as experienced by people and communities identifying as Black or African-American in the United States and across the diaspora and explores alternative and cultural, communal, and personal temporal-spatial frameworks. The book includes research, images, interviews, and writing from Community Futurisms: Time & Memory in North Philly, a collaborative art, preservation, and creative research project utilizing themes of oral futures, Black spatial-temporal autonom...
Recurrence Plot (and Other Time Travel Tales)
The interweaving stories in Recurrence Plot and Other Time Travel Tales present characters whose experiences challenge the notion that time flows in only one direction. If you want to understand what is happening at any given point in time, you cannot only look to the past for clues. You must consider the future. A journalist races against time itself to expose the entity preying on young male teens in Philadelphia. A crystal, memory-storing bracelet transports a young mother back to the day of her own mother's traumatic death. An unknown force of nature causes time to start flowing backwards. . . Using quantum physics as an imaginative landscape, Phillips' debut speculative collection Recurrence Plot attempts to walk the fine line between fiction and reality, fate and free will, and past, present, and future.
Style of Attack Report
"...an unprecedentedly rich source of contemporary science fiction..."METROPOLARITY is a DIY sci-fi collective based, bred, and tested in the colliding future-present of Philadelphia. This Style of Attack Report contains select work from Metropolarity's four founding members, who contribute theory, practice, and experience of home grown speculative visioning for both historical documentation as well as personal and collective survival. The collection serves as a model and a record of how Black, brown, queer, low-resource, working, ill and in-recovery people can project themselves into the future, conjuring resources, technology, and magic that aid us in the present. Also this sci-fi is FIRE cuz the crew don't play.
The Routledge Handbook of Social Studies of Outer Space
The Routledge Handbook of Social Studies of Outer Space offers state-of-the-art overview of contemporary social and cultural research on outer space. International in scope, the thirty-eight contributions by over fifty leading researchers and artists across a variety of disciplines and fields of knowledge, present a range of debates and pose key questions about the crafting of futures in relation to outer space. The Handbook is a call to attend more carefully to engagements with outer space, empirically, affectively, and theoretically, while characterizing current research practices and outlining future research agendas. This recalibration opens profound questions of intersectional politics,...
Black Quantum Futurism Theory & Practice Vol: II
Black Quantum Futurism Theory and Practice Volume II continues the development of the principles of BQF theory and practice with a series of essays proposing means and tools for shifting the dominant linear progress narrative using alternative concepts, perspectives, and shapes of time and temporality fused with ancestral and cultural technologies.. Writings from contributors reflect on time, memory, and temporality as experienced by people of the African diaspora over time and across space, while exploring how these communities create and enact alternative cultural, communal, and personal temporal-spatial frameworks. Featuring visions and writings by Michelle M. Wright, Joy KMT, Rasheedah Phillips, Camae Ayewa, Asia Dorsey, Kendra Krueger, Tricia Hersey, with a foreword by Estelle Ellison, and cover art by Rush Jackson.
The Black Speculative Arts Movement
The Black Speculative Arts Movement: Black Futurity, Art+Design is a 21st century statement on the intersection of the future of African people with art, culture, technology, and politics. This collection enters the global debate on the emerging field of Afrofuturism studies with an international array of scholars and artists contributing to the discussion of Black futurity in the 21st century. The contributors analyze and respond to the invisibility or mischaracterization of Black people in the popular imagination, in science fiction, and in philosophies of history.
