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The Public Sphere and Satellite Television in North Africa
The advent of satellite television and its adoption in the Maghreb brought about a profound social change. This book, which explores the relationships between the media and the public sphere, shows that the simple and quotidian act of watching satellite television as opposed to national television mobilizes novel ways of expressing identities along with a range of critical positions targeting political regimes. By bringing certain topics hitherto hardly present to the center of homes, the media reveals the pivotal functions of gender relations, which are today at the heart of social and political matters in Algeria, Morocco and Tunisia. Based on extensive fieldwork, this book offers a unique interpretation of the use of satellite television in authoritarian contexts and contributes to a better understanding of the media and the political public sphere. The book will interest teachers and students in communication, political studies, gender studies, sociology and anthropology of the Arab worlds and the Mediterranean.
A Companion to Gender Studies
A Companion to Gender Studies presents a unified and comprehensive vision of its field, and its new directions. It is designed to demonstrate in action the rich interplay between gender and other markers of social position and (dis)privilege, such as race, class, ethnicity, and nationality. Presents a unified and comprehensive vision of gender studies, and its new directions, injecting a much-needed infusion of new ideas into the field; Organized thematically and written in a lucid and lively fashion, each chapter gives insightful consideration to the differing views on its topic, and also clarifies each contributor's own position; Features original contributions from an international panel of leading experts in the field, and is co-edited by the well-known and internationally respected David Theo Goldberg.
Suffering, Art, and Aesthetics
How do we conceptualize the relationship between suffering, art, and aesthetics from within the broader framework of social, cultural, and political thought today? This book brings together a range of intellectuals from the social sciences and humanities to speak to theoretical debates around the questions of suffering in art and suffering and art.
Violence and the Female Imagination
In the past twenty years Quebec women writers, including Aline Chamberland, Claire Dé, Suzanne Jacob, and Hélène Rioux, have created female characters who are fascinated with bold sexual actions and language, cruelty, and violence, at times culminating in infanticide and serial killing. Paula Ruth Gilbert argues that these Quebec feminist writers are "re-framing" gender. Violence and the Female Imagination explores whether these imagined women are striking out at an external other or harming themselves through acts of self-destruction and depression. Gilbert examines the degree to which women are imitating men in the outward direction of their anger and hostility and suggests that such "tough" women may be mocking men in their "macho" exploits of sexuality and violence. She illustrates the ways in which Quebec female authors are "feminizing" violence or re-envisioning gender in North American culture. Gilbert bridges methodological gaps and integrates history, sociology, literary theory, feminist theory, and other disciplinary approaches to provide a framework for the discussion of important ethical and aesthetic questions.
Retours de l'utopie
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Political Islam and Global Media
The development of new and social networking sites, as well as the growth of transnational Arab television, has triggered a debate about the rise in transnational political and religious identification, as individuals and groups negotiate this new triad of media, religion and culture. This book examines the implications of new media on the rise of political Islam and on Islamic religious identity in the Arab Middle East and North Africa, as well as among Muslim Arab Diasporas. Undoubtedly, the process of globalization, especially in the field of media and ICTs, challenges the cultural and religious systems, particularly in terms of identity formation. Across the world, Arab Muslims have embr...
Forging Diasporic Citizenship
Around the world, a new kind of diasporic citizenship is appearing, especially among diasporic people such as German-born Berliners of Turkish origin. Drawing on interviews conducted over a fifteen-year period, Forging Diasporic Citizenship explores the dynamics of everyday life for these Ausländer (or “outsiders”). These people are obliged to define themselves by their Otherness, but it is their relatedness to German society that transgresses traditional concepts of both German and Turkish identity. In this work of narrative research, Gül Çalışkan explores the tensions between the experience of displacement and the politics of accommodation as the Ausländer make claims to citizenship, articulate the ways they are rooted, and seek to achieve recognition. Through examining the social encounters, life events, and everyday practices of these German-born Ausländer, Forging Diasporic Citizenship constructs a theoretically sophisticated, transnationally applicable hypothesis regarding the nature of modern citizenship and multiculturalism.
Electronic Elsewheres
Some chapters were previously published.
Grounding Critique
Grounding Critique: Marxism, Concept Formation, and Embodied Social Relations argues that marxism must have a robust understanding of embodied social relations, such as race, gender, and sexuality, in order to produce the knowledge necessary for transformative social change. Tanyildiz subjects two important strands of marxist social theory —marxist-feminism and social reproduction theory— to a methodological examination and demonstrates their shortcomings. Focusing on these strands’ critiques of intersectionality as a moment of crystallization in concept formation, Grounding Critique explores alternative ways of using Marx’s method to understand contemporary human praxis.
African Cinema
This collection of essays deals directly and compellingly with contemporary issues in African cinema. In particular, they address key aspects of post-colonialism and feminism - the two major topics of interest in current criticism of African films - but coverage is also given to spectatorship, national identity, ethnography, patriarchy, and the creation of key film industries in developing countries.
