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Starting with the groundbreaking 1981 exhibit called "Volumen I," New Art of Cuba provided the first comprehensive look at the works of the first generation of Cuban artists completely shaped by the 1959 revolution. This revised edition includes a new epilogue that discusses developments in Cuban art since the book's publication in 1994, including the exodus of artists in the early 1990s, the effects of the new dollar economy on the status of artists, and the shift away from socialist themes to more personal concerns in the artists' works. Twenty-four new color plates augment the more than 200 b&w illustrations of the original volume.
A profound and radical manifesto calling for a transformation in the way we think about democracy, equality, and ourselves. Freedom has long been a foundational concept at the heart of our civilization. Free markets, free media, free speech--even in these politically divided times, freedom is one thing we can all agree on. But we also live in a time of unprecedented economic inequality, eroding democracy, and a broken criminal justice system. How can we value freedom and simultaneously inhibit it? In Creating Freedom, Raoul Martinez argues that the more we understand the limits on our freedom, the better we will be at resisting them. Drawing on neuroscience, criminology, psychology, politics, climate science, economics, and philosophy, Creating Freedom lays a blueprint for us to make sense of our fractured world--and illuminates the path toward a better future.
The account of Fidel Castro's rise to power is not complete without mention of the failed atacks of July 26, 1953, on the Cuban army garrisons at Moncada and Bayamo. This text views this initial overthrow attempt as a propaganda victory that marked the start of Castro's ascent to national power.
"Along with Kick Ass, this is one of the best collections of occasional journalism published in recent years."--Booklist (starred review)
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Half a century after John F. Kennedy's assassination, his death remains among the most controversial events in American history. But it is not an isolated event. And it was carefully planned, and even rehearsed. A confidential story imparted by a cousin draws together disparate threads and weaves a coherent explanation. According to Frank Sturgis's family, the Bay of Pigs connects the roles of Frank Sturgis, E. Howard Hunt, the CIA (namely Allen Dulles, Richard Bissell, Tracy Barnes, and General Cabell), George Herbert Walker Bush, Richard M. Nixon, the Joint Chiefs of Staff, the Mafia, and the FBI.
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