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Get the inside track on the newest parties, the biggest festivals, and the best raves around. Festival culture is now an integral part of many people’s lives, from the teenagers of the world to the more discerning boutique festival goers. What started as small gatherings in the 1960s soon permeated into global culture, from parties held in the British countryside to raves in darkened warehouses in Berlin, and concerts held on cruise ships in the Caribbean, and continues to grow, with new parties starting every year. Festivals have become embedded in the lifestyle of many people around the world and this guide gives some insight into the many parties that have sprouted up from the US to Canada, Iceland, Japan, Australia, and everywhere in between. Offering a comprehensive look into the most famous raves on planet earth, this definitive guide includes the history of each festival, along with its location, music policy, and quotes from people who have played at them all wrapped in handy, bite-sized chunks of information. So join us as we go Around the World in 80 Raves...
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Youth, Drugs, and Night Life explores the relationships between the electronic dance scene and drug use for young ravers and clubbers today. Based on over 300 interviews with ravers, DJ’s and promoters, the authors explore the accomplishment of gender, sexuality and Asian American ethnicity and the negotiation of risk and pleasure within these scenes. The authors pivot from the local to the national to the global in this qualitative analysis of the scene and its inhabitants
Current approaches to drugs tend to be determined by medical and criminal visions that emerged over a century ago; the concepts of addiction, on the one hand, and drug control on the other, having imposed themselves as the unquestionable central notions surrounding drug issues and discourses. Pathologization and criminalization are the dominant perspectives on psychoactive drugs, and it is difficult to describe drug consumption in any terms other than those of medicine, or to conceive of regulation except in terms of control and eradication. Drugs and Culture presents other voices and understandings of drug issues, highlighting the socio-cultural features of drug use and regulation in modern...
It used to be that raves were grassroots organized, anti-establishment, unlicensed all-night drug-fueled dance parties held in abandoned warehouses or an open field. These days, you pay $40 for a branded party at popular riverfront nightclubs where age and status, rather than DJ expertise and dancing, shape your experience. In Rave Culture sociologist Tammy Anderson explores the dance music, drug use and social deviance that are part of the pulsing dynamics of this collective. Her ethnographic study compares the Philadelphia rave scene with other rave scenes in London and Ibiza. She chronicles how generational change, commercialization, law enforcement, hedonism, and genre fragmentation fundamentally altered electronic dance music parties. Her analysis calls attention to issues of personal and collective identity in helping to explain such social change and what the decline of the rave scene means for the future of youth culture and electronic dance music.
Vast numbers of western youth have attached primary significance to raving and post-rave experiences. This collection of essays explores the socio-cultural and religious dimensions of the rave, 'raving' and rave-derived phenomena.
Relating to both the practice of teaching media studies and also to theoretical questions within media and cultural studies, this study examines pop music, media studies and the micro-cultural politics of adolescence. It argues that media education has neglected pop music, and that, as something of enormous significance in the lives of young people, it merits a serious place in the field.; The author provides accounts of media studies in action, including detailed accounts of classroom discussions, interviews with students and teachers, examples of students' work and their biographical reflections. He links this to broader debates both within cultural studies and around the place of pop music in young people's lives.; "Teen Spirits" should be of interest to students of media and cultural studies, as well as to practicing teachers, and readers with an interest in questions of youth and identity.
Reynolds offers a guided tour of rave culture and techno music in this first critical history of the genre--and the drug culture that accompanies it. 40-page discography. of illustrations.
Trance Music Culture, Moral Panics and Transnational Identity in Israel This book is the culmination of research on Trance music culture in Israel and shows that some groups of trance participants consider trance music and the raves valuable subcultural commodities and integral parts of their worldview and identity. Police actions in halting trance parties have caused trance participants to feel alienation towards both the state and national ideals. The moral panic, spearheaded by these police actions, has caused trance participants to respond by devaluing previous national identity constructions and in turn developing transnational identity attachments to the global trance community.
A visual ethnographic study of a an underground subculture: Collection of photographs taken of the free party and Teknival scene over a period of 10 years in the UK and Europe.