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Value and Vision in American Literature
Friends and colleagues honor the 30-year career of Appalachian-born literature scholar White with 15 essays. Their goal is to call attention to ideas or connections that demand a reappraisal of conventional attitudes or ingrained responses. Spanning from the middle 19th century to the present, they consider such well known authors as Hawthorne, Cather, and Welty but also some less known ones such as Wallace Stegner, Dunstan Thomas, and neglected Civil War poets. Annotation copyrighted by Book News, Inc., Portland, OR
Winesburg, Ohio
An accessible introduction to some of the most important ideas developed in Plato's Symposium.
Sherwood Anderson
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Winesburg, Ohio
Winesburg, Ohio (1919) is Sherwood Anderson's masterpiece, a cycle of short stories concerning life in a small Ohio town at the end of the nineteenth century. At the centre is George Willard, a young reporter who becomes the confidant of the town's 'grotesques' - solitary figures unable to communicate with others. George is their conduit for expression and solace from loneliness, but he has his own longings which eventually draw him away from home to seek a career in the city. He carries with him the dreams and unuttered words of remarkable characters such as Wing Biddlebaum, the disgraced former teacher, and the story-telling Doctor Parcival. This new edition corrects errors in earlier editions and takes into account major criticism and textual scholarship of the last several decades.
Sherwood Anderson's Secret Love Letters
In 1927, tired of the literary life of New York City, New Orleans, and Chicago, a famous but aging American writer named Sherwood Anderson (1876-1941) -- author of Winesburg, Ohio(1919) and other short stories in which he virtually invented the modern American short-story -- moved to rural Southwest Virginia to write for and edit two small-town weekly newspaper that he owned, the Marion Democrat. and the Smyth County News. Living again among the small-town figures with whom he was usually most content, William Faulkner, Thomas Wolf, and indeed an entire generation of the greatest American writers -- worked for several years at making his newspaper nationally famous while struggling to come t...
Handbook of the American Short Story
The American short story has always been characterized by exciting aesthetic innovations and an immense range of topics. This handbook offers students and researchers a comprehensive introduction to the multifaceted genre with a special focus on recent developments due to the rise of new media. Part I provides systematic overviews of significant contexts ranging from historical-political backgrounds, short story theories developed by writers, print and digital culture, to current theoretical approaches and canon formation. Part II consists of 35 paired readings of representative short stories by eminent authors, charting major steps in the evolution of the American short story from its beginnings as an art form in the early nineteenth century up to the digital age. The handbook examines historically, methodologically, and theoretically the coming together of the enduring narrative practice of compression and concision in American literature. It offers fresh and original readings relevant to studying the American short story and shows how the genre performs American culture.
Children and Youth During the Gilded Age and Progressive Era
In the decades after the Civil War, urbanization, industrialization, and immigration marked the start of the Gilded Age, a period of rapid economic growth but also social upheaval. Reformers responded to the social and economic chaos with a “search for order,” as famously described by historian Robert Wiebe. Most reformers agreed that one of the nation’s top priorities should be its children and youth, who, they believed, suffered more from the disorder plaguing the rapidly growing nation than any other group. Children and Youth during the Gilded Age and Progressive Era explores both nineteenth century conditions that led Progressives to their search for order and some of the solutions...
Telling Lies in Modern American Autobiography
All autobiographers are unreliable narrators. Yet what a writer chooses to misrepresent is as telling -- perhaps even more so -- as what really happened. Timothy Adams believes that autobiography is an attempt to reconcile one's life with one's self, and he argues in this book that autobiography should not be taken as historically accurate but as metaphorically authentic. Adams focuses on five modern American writers whose autobiographies are particularly complex because of apparent lies that permeate them. In examining their stories, Adams shows that lying in autobiography, especially literary autobiography, is not simply inevitable. Rather it is often a deliberate, highly strategic decisio...
