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*NOW A MAJOR NEW TV SERIES* A high-ranking scientist has been kidnapped. A secret British intelligence agency must find out why. But as the quarry is pursued from grimy Soho to the other side of the world, what seemed a straightforward mission turns into something far more sinister. With its sardonic, cool, working-class hero, Len Deighton's sensational debut The Ipcress File rewrote the spy thriller and became the defining novel of 1960's London. 'Changed the shape of the espionage thriller ... there is an infectious energy about this book which makes it a joy to read' Daily Telegraph
'The poet of the spy story' Sunday Times A sunken U-Boat has lain undisturbed on the Atlantic ocean floor since the Second World War - until now. Inside its rusting hull, among the corpses of top-rank Nazis, lie secrets people will kill to obtain. The sequel to Len Deighton's game-changing debut The IPCRESS File, Horse Under Water sees its nameless, laconic narrator sent from fogbound London to the Algarve, where he must dive through layers of deceit in a place rotten with betrayals.
Devised by an award-winning designer and a team of experts from the British Museum of Natural History--here is the story of humankind in a breathtaking series of three-dimensional pop-up illustrations. Full-color illustrations.
'A first-class piece of work' New York Times Book Review Major Harry Maxim, formerly of the SAS, is as surprised as anyone when he is hired by 10 Downing Street to assist in matters of defence and security. When there is a suspicious suicide at the Ministry of Defence, and a hand grenade thrown through the door of number 10, Major Maxim's military intelligence training is put to the test. It all seems to point towards Professor John Tyler, a nuclear strategist who will state Britain's case when Europe's think tank on Armageddon gathers in Luxembourg. The Secret Servant is the first novel in the Major Harry Maxim Series.
A ferociously cool Cold War thriller from the author of The Ipcress File. Len Deighton's third novel has become a classic, as compelling and suspenseful now as when it first exploded on to the bestseller lists. In Berlin, where neither side of the wall is safe, Colonel Stok of Red Army Security is prepared to sell an important Russian scientist to the West - for a price. British intelligence are willing to pay, providing their own top secret agent is in Berlin to act as go-between. But it soon becomes apparent that behind the facade of an elaborate mock funeral lies a game of deadly manoeuvres and ruthless tactics. A game in which the blood-stained legacy of Nazi Germany is enmeshed in the intricate moves of cold war espionage...
'Deighton's best book ... an absorbingly exciting spy story that is also a fascinating exercise in might-have-been speculation' The New York Times Book Review It is 1941 and Germany has won the war. Britain is occupied, Churchill executed and the King imprisoned in the Tower of London. At Scotland Yard, Detective Inspector Archer tries to do his job and keep his head down. But when a body is found in a Mayfair flat, what at first appears to be a routine murder investigation sends him into a world of espionage, deceit and betrayal. 'Len Deighton is the Flaubert of contemporary thriller writers ... this is much the way things would have turned out if the Germans had won' The Times Literary Supplement
"Fluctuations in solar radiation have caused the icecaps to melt and the seas to rise. Nature is on the rampage. London has been transformed into a primeval swamp, and within its submerged landscape giant lizards, dragonflies and insects compete for dominance. Human fertility is in decline and buildings sink beneath waters infested with decaying matter. Into this wasteland a group of intrepid scientists venture to record the flora and fauna of this new Triassic Age. Soon ghostly voices haunt their waking and nightmares permeate their sleep."--BOOK JACKET.
Alex Seago's book has been inspired by his desire to understand and discover the origins of postmodern culture in Britain. One of the main points of his study is that it was art and design students who were among the first to be aware of and to articulate social implications of postmodernculture. Arguing that postwar art schools provided a vital crucible for the development of a particuarly English cultural sensibility, he focuses on cultural change at the Royal College of Art, London, during the 1950s and 1960s. The students' attack on the English 'box of beautiful things' - aterm used by a former student to describe the neo-Romantic, neo-Victorian, highly decorated tastes of some RCA tutor...