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The dramatic story of Germany's attempt to rally German-Americans to its support before World War II is told with authority in this full account of the National Socialist movement in the United States. Drawing from records of the groups collectively known as the German-American Bund and a rich store of captured German documents, Dr. Diamond describes the Bund's origins and leaders, its membership and ideology.
"The Inquisition in Hollywood examines the suppression of radical political activity in the film industry from the days of the Great Depression through the tumultuous House Un-American Activities Committee era to the waning days of the infamous blacklist." "Although this thirty-year period of American history is marked by widespread targeting of leftists in all areas of life, those in the film industry - predominately screenwriters - were considered to be in positions of great potential indoctrinating power, and found themselves under intense scrutiny as the cold war hysteria mounted. Ceplair and Englund trace the history of political struggle in Hollywood back to the formation of the Screen Writers Guild in 1933. Many of the blacklisted filmmakers were members of the Communist Party and all of the graylisted filmmakers had expressed their sympathy with progressive (mainly anti-fascist) causes."--BOOK JACKET.
In this volume, covering the years 1937–1947, James A. Gross describes and analyzes the NLRB's vigorous and uncompromising enforcement of the Wagner Act and the intense political pressure to which the Board was subjected as a consequence. He identifies and examines the forces that succeeded in pressuring the NLRB out of its essential role in the making of U.S. labor policy. This is the story of the transformation of the NLRB from an expert administrative agency that played a major role in the making of labor policy, into an insecure, politically sensitive agency preoccupied with its own survival and reduced to deciding marginal issues.
Offers an analysis of the McCarthy phenomenon, tracing the machinations of anticommunism in creating a culture of fear and suspicion.
"Lost fish," writes Howell Raines, "chasten us to the knowledge that we are all, in each and every moment, dwindling. Imagine my surprise when I discovered well into my sixth decade that losing fish can prepare us for a blessing as well as for pain." Confronting loss -- of an elusive fish or something larger -- is at the heart of The One That Got Away, the graceful sequel to Raines's much-loved, bestselling memoir Fly Fishing Through the Midlife Crisis, published to great acclaim in 1993. With the same winning combination of reminiscences, anecdotes, philosophy and fishing lore, his bold new memoir covers the eventful years in this latest passage of his life, and the realization that in reli...