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The Secrets of Generation
The secrets of Generation' is an interdisciplinary examination of the many aspects of reproduction in the eighteenth century. Exploring the theme of generation from the perspective of histories of medicine, literature, biology, technology, and culture, this collection offers a range of cutting-edge approaches. Its twenty-four contributors, scholars from across Europe and North America, bring an international perspective to discuss reproduction in British, French, American, German, and Italian contexts. The book is a collection on eighteenth-century generation and its many milieus
The Yard of Wit
Literary composition is more than an intellectual affair. Poetry has long been said to spring from the heart, while aspiring writers are frequently encouraged to write "from the gut." Still another formulation likens the poetic imagination to the pregnant womb, in spite of the fact that most poets historically have been male. Offering a rather different set of arguments about the forces that shape creativity, Raymond Stephanson examines how male writers of the Enlightenment imagined the origins, nature, and structures of their own creative impulses as residing in their virility. For Stephanson, the links between male writing, the social contexts of masculinity, and the male body—particular...
The Enlightenment Cyborg
For many cultural theorists, the concept of the cyborg - an organism controlled by mechanic processes - is firmly rooted in the post-modern, post-industrial, post-Enlightenment, post-nature, post-gender, or post-human culture of the late twentieth century. Allison Muri argues, however, that there is a long and rich tradition of art and philosophy that explores the equivalence of human and machine, and that the cybernetic organism as both a literary figure and an anatomical model has, in fact, existed since the Enlightenment. In The Enlightenment Cyborg, Muri presents cultural evidence - in literary, philosophical, scientific, and medical texts - for the existence of mechanically steered, or ...
A Touch of Blossom
"Explores the art of John Singer Sargent in the context of nineteenth-century botany, gynecology, literature, and visual culture. Argues that the artist was elaborating both a period poetics of homosexuality and a new sense of subjectivity, anticipating certain aspects of artistic modernism"--Provided by publisher.
Symptoms of Disorder: Reading Madness in British Literature, 1744-1845
The stylistic and cultural discourse concerning the narratives of mental disorder is the main focus of Symptoms of Disorder: Reading Madness in British Literature 1744-1845. This collection offers new insights into the representation of madness in British literature between two landmark dates for the social, philosophical and medical history of mental deviance: 1744 and 1845. In 1744, the Vagrancy Act first mentions 'lunatics' as a specific category, which is itself a social 'symptom' of an emerging need for isolation and confinement of the insane. A more sophisticated and attentive care of the 'fool' is testified only by the 1845 Lunatic Asylums Act, which established specific processes saf...
British Women Poets of the Long Eighteenth Century
This anthology gathers 368 poems by 80 British women poets of the long eighteenth century. Few of these poems have been reprinted since originally published, and all are crucial to understanding fully the literary history of women writers. Paula R. Backscheider and Catherine E. Ingrassia demonstrate the enormous diversity of poetry produced during this time by organizing the poems in three broad and deliberately overlapping categories: by genre, establishing that women wrote in all of the forms that men did with equal mastery and creativity; by theme, offering a revisionary look at the range of topics these writers addressed, including war, ecology, friendship, religion, and the stages of li...
The Printed Reader
Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies) The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings t...
The Cambridge Companion to Alexander Pope
Alexander Pope was the greatest poet of his age and the dominant influence on eighteenth-century British poetry. His large oeuvre, written over a thirty-year period, encompasses satires, odes and political verse and reflects the sexual, moral and cultural issues of the world around him, often in brilliant lines and phrases which have become part of our language today. This is the first overview to analyse the full range of Pope's work and to set it in its historical and cultural context. Specially commissioned essays by leading scholars explore all of Pope's major works, including the sexual politics of The Rape of the Lock, the philosophical enquiries of An Essay on Man and the Moral Essays, and the mock-heroic of The Dunciad in its various forms. This volume will be indispensable not only for students and scholars of Pope's work, but also for all those interested in the Augustan age.
Obesity and Depression in the Enlightenment
Medical doctor George Cheyne, little known today, was among the most quoted men in eighteenth-century Britain. A 450-pound behemoth renowned for his Falstaffian appetites, he nevertheless advocated moderation to his neurotic clientele. Cheyne was an early admirer of Isaac Newton and a writer on mathematics and natural philosophy, yet he also linked science and mysticism in his writings. This inventor of the all-lettuce diet was both an author of learned tomes and, to his patients, a fellow sufferer who struggled with obesity and depression. Scientist and mystic, patient and healer, libertine and scholar, Cheyne embodies the contradictions and obsessions of the Age of Enlightenment. Anita Guerrini reconstructs the ideas, events, and interconnections in Cheyne’s era and shows how Cheyne’s life and work uniquely epitomize the transition between premodern and modern culture.
