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Mug Shots
With each case, the author provides succinct yet comprehensive commentary on the circumstances of the subject's arrest, the nature of the charges against them, and reconstructs some of the most dramatic trials of the twentieth century."--Jacket.
Photobooth
Since its introduction to the public in September of 1926 on a street corner in New York City, the automatic photobooth has captured the interest of the general public and fine artists alike. Raynal Pellicer, author of Mug Shots, examines the self-portraits--sometimes practical, sometimes whimsical--produced by this enduring 20th-century novelty. The countless documents included here feature shots of Francis Bacon, Billy Childish, Allen Ginsberg, John F. Kennedy, Anne Frank, Salvador Dal , Andr Breton, Wim Wenders, Walker Evans, and John Lennon, among others. Photobooth draws a fantastic inventory of artistic variations on the snapshot, bringing together works of art and self-portraits of persons both known and unknown, from the 1920s to the present.
The Camera Does the Rest
What makes Polaroid photography stand out? Since its invention by Edwin Land in 1947, how has it crept into our common culture in the ways we witness today? Writing in the context of the two bankruptcies of Polaroid Corporation and the decline and obsolescence of its film, Peter Buse argues that Polaroid photography is distinguished by its process. The fact that, as the "New York Times" put it, the camera does the rest, encouraged distinctive practices by the camera s users, including its most famous use: as a party camera. Polaroid was often dismissed as a toy, but this book takes its status as a toy seriously, considering the way it opened up photographic play while simultaneously lowering...
Seeing Ourselves Through Technology
This book is open access under a CC BY license. Selfies, blogs and lifelogging devices help us understand ourselves, building on long histories of written, visual and quantitative modes of self-representations. This book uses examples to explore the balance between using technology to see ourselves and allowing our machines to tell us who we are.
The Terrorist Album
An award-winning historian and journalist tells the very human story of apartheid’s afterlife, tracing the fates of South African insurgents, collaborators, and the security police through the tale of the clandestine photo album used to target apartheid’s enemies. From the 1960s until the early 1990s, the South African security police and counterinsurgency units collected over 7,000 photographs of apartheid’s enemies. The political rogue’s gallery was known as the “terrorist album,” copies of which were distributed covertly to police stations throughout the country. Many who appeared in the album were targeted for surveillance. Sometimes the security police tried to turn them; so...
Selfies
This book presents a rich and nuanced analysis of selfie culture. It shows how selfies gain their meanings, illustrates different selfie practices, explores how selfies make us feel and why they have the power to make us feel anything, and unpacks how selfie practices and selfie related norms have changed or might change in the future.
Album Beauty
None
(Dis)Orienting Media and Narrative Mazes
(Dis)Orientation appears to be a phenomenon that is connected to media in numerous respects: today, finding your way in the world often means finding your way with the help of as well as within media, which in turn creates new virtual realms of (dis)orientation. This book deals with recent media technologies and structures (navigation devices, databases, transmediality) and unconventional narrative patterns (narrative complexity, plot twists, non-linearity), using the ambivalent concept of (dis)orientation as a shared focus to analyse various phenomena of contemporary media, thereby raising overarching questions about current mediascapes.
Hunt for the Last Public Enemy in Northeastern Ohio, The: Alvin "Creepy" Karpis and his Road to Alcatraz
The last Public Enemy No. 1 of the Depression era, Alvin "Creepy" Karpis reportedly compiled a record of fifty-four aliases, fifteen bank robberies, fourteen murders, three jailbreaks and two kidnappings. Roaming the country to evade capture (or worse), Karpis regularly hid out in northeastern Ohio, where he and the remnants of the infamous Ma Barker Gang perpetrated the last great American train heist in Garrettsville. His criminal career came to an end when J. Edgar Hoover and his famed G-Men apprehended the man they wanted more than any other in New Orleans. From there, Karpis found himself confined on Alcatraz Island, where he spent nearly twenty-six years--more than any inmate in the prison's history. Historian Julie Thompson tells the true story of Karpis's life and career, a riveting tale taking readers from rural Kansas and Ohio to the bustling streets of the Big Easy and into the bleak innards of "the Rock."
Photobooth
In 1925 Siberian immigrant Anatol Josepho had an idea for a curtain-enclosed booth where people could take affordable portraits anonymously and automatically. The photobooth was born. This book presents over 700 photobooth pictures from the last 75 years, a portrait of everyday people and a testament to the ongoing fascination with both the process and the result.
