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The story of World War II on the domestic home front. The book takes us from the kitchen to the nursery, showing how women managed without almost everything from prams, food, fuel and transport to men and coped with rationing and evacuation. A selection of the ingenious meals is included.
Though the women came to the U.S. from all parts of the British Isles, they were an unusually homogeneous group, averaging 23 years of age, from working- or lower-middle-class families and having completed mandatory schooling to the age of fourteen. For the most part they emigrated alone and didn't move into an existing immigrant population.
"Friedman reexamines the stories surrounding the influx of British war brides brought back to the United States by American GIs after WWII with a focus on media representations of sexuality and marriage in wartime, showing how mass media interpretations turned from public suspicion of war brides to popular acceptance"--Provided by publisher.
The UK welfare state is under sustained ideological and political attack. It has also been undermined by accusations of paternalism and past failures to engage with the very people it is intended to help. This unique book is the first to critique the past, present and future welfare state from a participatory perspective. Peter Beresford, champion of user involvement, draws on pioneering theories and practice of welfare service user movements to offer a blueprint for a new participatory social policy. He controversially challenges orthodox social policy and the limitations of both Fabian and Neo-liberal perspectives in engaging people to improve their own welfare, drawing on service users ‘ own ideas and experience, including fascinating vignettes from his own family’s experience, to demonstrate the value of ‘user knowledge’. Filling a much-needed gap in the literature, this accessible text will provide a great introduction for students and a road-map for practitioners of an alternative vision for a future participatory and sustainable social policy. It will also command much wider interest from everyone concerned with how we look after each other in future in society.
Loving Arms examines the war-related writings of five British women whose works explore the connections among gender, war, and story-telling. While not the first study to relate the subjects of gender and war, it is the first within a growing body of criticism to focus specifically on British culture during and after World War II. Evoking the famous "St. Crispin's Day" speech from Henry V and then her own father's account of being moved to tears on V-J Day because he had been too young to fight, Karen Schneider posits that the war story has a far-reaching potency. She admits—perhaps for all of us—that such stories "had powerfully shaped my consciousness in ways I could not completely res...
A mother writes to her faraway daughter: "I keep all your letters. Someday you might want to do something with them." Those words foretold Shared Histories, although neither woman would live to see the book. This is the first known published collection of letters to include correspondence between civilian family members on both sides of the Atlantic during World War II. Separated for most of their adult lives, Virginia Dickinson Reynolds and her daughter, Virginia Potter, wrote to each other for nearly forty years. This selection from their long exchange is filled with unguarded reflections on current events, fashion, food, travel, domestic life, leisure, and the upheaval of war. Readers wil...
On melodrama.
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This book examines representations of desire in British cinema during a period of turbulent change. In addition to investigating male-female desire in status quo "realist" films and in various "anti-realist" movements represented by Gainsborough Melodrama and the work of Michael Powell and Emeric Pressburger, the book also explores the various factors that affected utopian aspirations for a better postwar world and how these desires eventually became restrained by the dominant forces of conservative ideology. Structures of Desire provides new perspectives on previously recognized film movements such as Ealing Comedy and Gainsborough Melodrama while also offering analyses of interesting but neglected films such as Love on the Dole (1941), Perfect Strangers (1945), They Made Me a Fugitive (1947), The Bad Lord Byron (1949), and Madeleine (1950).
This book seeks to examine the ways in which the cinema has defined, mythified and disseminated British national identity during the course of the twentieth century. It takes the form of a series of linked essays which examine chronologically, thematically and by specific case studies of films, stars and genres the complexities and ambiguities in the process of evolution and definition of the national identity. It argues for the creation of a distinctive British national identity both in cinema and the wider culture. But it also assesses the creation of alternative identities both ethnic and regional and examines the interaction of cinema and other cultural forms (music, literature and television).