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The first owner of the Santurce Crabbers, Pedrin Zorrilla, was a visionary, with many Negro League and big league contacts (he signed up Josh Gibson, Satchel Paige, Roy Campanella, Ray Dandridge and Leon Day in the first decade). Santurce was the most successful winter league team of the 1950s, with three Caribbean Series titles. Roberto Clemente, Ruben Gomez, Willie Mays, Willard Brown and Bob Thurman played for the Crabbers. Tom Lasorda used to pitch for them. Santurce set up working agreements with the Giants, Orioles, Dodgers and Astros, among other teams. Earl Weaver and Frank Robinson were team managers; several Hall of Famers were early-career Crabbers. Orlando Cepeda and Tony (Tany) Perez played their entire winter league careers with Santurce.
Florida and the Mariel Boatlift of 1980 recounts first-hand the drama and political intrigue that erupted when more than thirty thousand Cuban refugees fled to Florida and the stories of the first responders who aided them.
"Over the past three decades, there has been a global sea-change in the nature of international migration. In myriad places around the world this kind of deep shift has had significant impacts on the local configurations and dynamics of diversity. Old and new immigration sites across the world have experienced rapid and increasing movements of people from more varied national, ethnic, linguistic and religious backgrounds. These movements have emerged along with a diversification of migration channels and legal statuses and, more broadly, greater societal attention towards identity politics Worldwide, in concurrent but differing ways, these migration-driven trends are deeply transforming soci...
In an attempt to free her sister from a Peruvian prison, a New Orleans woman enlists the services of two oilfield roughnecks by giving them a treasure map she has discovered among her dead grandfather's belongings. After a series of mishaps, the adventurers reach their goal, only to discover that a puzzle must first be resolved before they can become millionaires many times over.
In Cuba, internationally renowned artists, philosophers, and writers reflect on the idea of a nation displaced. Featuring contributions from Isabel Alvarez Borland, Antonio Benítez-Rojo, María Cristina García, William Navarrete, Eliana Rivero, Rafael Rojas, and Carlos Victoria, as well as many others, Cuba is a rich collection of essays, testimonials, and interviews that reveal the complex, often antagonistic cultural and political debates coexisting within the Cuban exile population. As a multivoiced text, Cuba formulates a deeper understanding of diasporic identity, and broadens the discussion of the manner in which Cuban cultural identity and nationhood have been constructed, negotiated, and transformed by physical and cultural displacement.