You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
With the emerging vitality of the Hispanic church in the United States, the voices of Hispanic theology raise a new and vital challenge. A bridge between the North American church and the liberation theology of Latin America, Hispanic theology reflects on the experience of faith rooted in the cultures, histories, and hopes of the Hispanic people here in the U.S. Frontiers of Hispanic Theology in the United States draws on the key figures and explores the central themes of Hispanic theology, including such issues as popular religion, spirituality, liturgy, Hispanic feminist perspectives, and the meaning of "mestizaje" as a source of theological reflection. What emerges is a truly contextual theology, rooted in the unique cultures and tradition of Hispanic Catholics, a theology which also issues a wider challenge to the Anglo church and the world theological community.
The Orion Center Bibliography of the Dead Sea Scrolls (1995-2000) is the fourth official Scrolls bibliography, following bibliographies covering the periods 1948-1957 (W. S. LaSor), 1958-1969 (B. Jongeling), and 1970-1995 (F. García Martínez and D. W. Parry). The current interest in the Scrolls, with at least two journals dedicated to these texts, has led to a proliferation of secondary literature, theses, and electronic publications. The Orion Center Bibliography contains over 3000 entries, including approximately 600 reviews, gathered from the École Biblique et Archéologique Française in Jerusalem, from on-line databases, and from the authors themselves. This work is based on the bibliography compiled by the Orion Center for the Study of the Dead Sea Scrolls, Jerusalem, and includes reviews, journal articles, and electronic publications, a text index and a subject index.
None
None
None
None
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.