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This Dark Country
Shortlisted for the PEN Hessell-Tiltman Prize 2022 Longlisted for the William M B Berger Prize for British Art History 2022 Guardian Art Book of the Year 2021 A dazzling, boldly original work that tells the powerful and passionate stories of a group of extraordinary women as glimpsed through their still life paintings What is contained in a still life – and what falls out of the frame? For women artists in the early twentieth century, such as Dora Carrington, Vanessa Bell and Gwen John, this art form was a conduit for their lives, their rebellions, their quietly subversive loves for men and women. But for every artist whom we remember, there are those whose work is almost forgotten. In This Dark Country, Rebecca Birrell conducts a dazzling fusion of group biography and art criticism, exploring, from the celebrated to the overlooked, the structures of intimacy that make – and dismantle – our worlds. 'A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last!' - Thérèse Oulton '[A] wonderful book. I am impressed and fascinated. It is beautifully written' - Celia Paul
This Dark Country
Longlisted for the William M B Berger Prize for British Art History 2022**Picked as an Art Book of the Year 2021 by the Guardian**'As seductive as it is scholarly ... Riveting' Financial Times'A wonderfully rich, deeply researched page-turner ... Sumptuous, precise and bewitching' Jennifer Higgie'Playful, provocative ... Her attentive, evocative prose renderings of paintings are pleasures in themselves' Times Literary Supplement------------------------------Lemons gleam in a bowl. Flowers fan out softly in a vase. A door swings open in a sparsely furnished room. What is contained in a still life - and what falls out of the frame?For women artists in the early twentieth century, including Eth...
little scratch
"Extraordinary"--THE NEW YORKER In the formally innovative tradition of Grief Is the Thing with Feathers and Ducks, Newburyport comes a dazzlingly original, shot-in-the-arm of a debut that reveals a young woman's every thought over the course of one deceptively ordinary day. She wakes up, goes to work. Watches the clock and checks her phone. But underneath this monotony there's something else going on: something under her skin. Relayed in interweaving columns that chart the feedback loop of memory, the senses, and modern distractions with wit and precision, our narrator becomes increasingly anxious as the day moves on: Is she overusing the heart emoji? Isn't drinking eight glasses of water a day supposed to fix everything? Why is the etiquette of the women's bathroom so fraught? How does she define rape? And why can't she stop scratching? Fiercely moving and slyly profound, little scratch is a defiantly playful look at how our minds function in--and survive--the darkest moments.
In the Full Light of the Sun
Berlin in the 1920s is a city of seedy night clubs and sumptuous art galleries, where nothing is quite what it seems. It is home to Emmeline, a young art student; Julius, an art expert who loves paintings more than people; and Frank, a Jewish lawyer looking for a way to protect both his family and his principles as the Nazis begin their rise to power. Rachmann, a mercurial art dealer-- and newly discovered paintings by Vincent van Gogh-- will provide a scandal that turns all their lives upside down. -- adapted from jacket
To Defend the Revolution Is to Defend Culture
Grounded in painstaking research, To Defend the Revolution Is to Defend Culture revisits the circumstances which led to the arts being embraced at the heart of the Cuban Revolution. Introducing the main protagonists to the debate, this previously untold story follows the polemical twists and turns that ensued in the volatile atmosphere of the 1960s and ’70s. The picture that emerges is of a struggle for dominance between Soviet-derived approaches and a uniquely Cuban response to the arts under socialism. The latter tendency, which eventually won out, was based on the principles of Marxist humanism. As such, this book foregrounds emancipatory understandings of culture. To Defend the Revolut...
Home Chat
I am shirking off the chains that have shackled me for so long – I have suddenly come to realise that I am a woman – a living, passionate, pulsating woman – it never occurred to me before. Janet Ebony and her best friend, Peter Chelsworth, are innocently sharing a sleeping compartment when their train to Paris is involved in a disastrous railway accident. Outrage and scandal ensue as Janet's husband, Paul, and her fearsome mother-in-law accuse Janet and Peter of adultery. Aghast at their families' accusations, Janet and Peter decide to take revenge by inventing an adulterous affair ... Written with Noël Coward's trademark wit and insight, Home Chat is a distinctly modern comedy about female sexuality and fidelity in a society rigidly governed by decorum and reputation. This edition was published to coincide with the first revival of the play since its premiere in 1927.
Art, Time and Technology
Breaking the time barrier -- Morse's inventions -- The writing of Van Gogh -- Taking off -- John Cage's early warning system -- Art in real time -- Is it happening? -- Short films about flying -- Bibliography -- Index
The Scoundrel Harry Larkyns and His Pitiless Killing by the Photographer Eadweard Muybridge
For over a century, a mysterious figure from 1870s California, going by the name of Major Harry Larkyns, has been written off as little more than a liar, seducer and cheat. And he is only remembered at all these days because he was shot dead by the magnificently strange photographer Eadweard Muybridge. A rural court would exonerate the unrepentant murderer, in contravention of all existing laws; and the conduct of the case has barely been questioned since. But was either the killer or the victim quite what he seemed? In the autumn of 2015, Rebecca Gowers uncovered the startling fact that Harry Larkins, lost brother of her own great-great-grandmother, Alice Larkins, was one and the same as th...
Gwen Raverat
'The best of these Darwins is that they are cut out of rock - three taps is enough to convince one how immense is their solidarity.' So wrote Virginia Woolf affectionately of Gwen Raverat, the granddaughter of Charles Darwin. In this first full biography, Frances Spalding looks beyond the artist Gwen Raverat's childhood memoir; Period Piece, and creates a fascinating and moving portrait of Charles Darwin's granddaughter. She explores her Darwin inheritance; her conflicts when she moves beyond her home environment to enter the Slade School of Art; her encounter with post-Impressionism; and her friendships with Stanley Spencer, Rupert Brooke and members of the Bloomsbury set. At each stage, Gwen's artistic creativity is interwoven with her relationships and circumstances. She helps revive the medium of wood-engraving and with her husband, Jacques Raverat, celebrates the South of France in the art they produce while living in Venice. Drawing on a huge cache of unpublished papers, Spalding brings us a life lived with bravery, humour; realism and integrity, surrounded by a remarkable cast of relatives, friends and associates.
The Street of Wonderful Possibilities
A beautifully illustrated art history and cultural biography, The Street of Wonderful Possibilities focuses on one of the most influential artistic quarters in the late nineteenth and early twentieth centuries - London's Tite Street, where a staggering amount of talent thrived between the 1870s and 1930s, including James Abbott McNeill Whistler, Oscar Wilde and John Singer Sargent. It provides a new, fresh perspective on legendary figures in British art and literature and explores the relationship between these artists and their living environment. Today Tite Street is a narrow, quiet thoroughfare tucked away in a cosy corner of London. With the exception of a few blue plaques upon its walls...
