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The Kimono Tattoo
"I jostled her shoulder and noticed when I did that her skin was cold to the touch....her entire torso was covered in tattoos from her collar bone to the midline of her thighs. All were of kimono motifs-fans, incense burners, peonies, and scrolls." This ghastly scene was the last thing Ruth Bennett expected to encounter when she agreed to translate a novel by a long-forgotten Japanese writer. Returning to her childhood home in Kyoto had promised safety, solitude, and diversion from the wounds she encountered in the U.S. But Ruth soon finds the storyline in the novel leaking into her everyday life. Fictional characters turn out to be real, and the past catches up with the present in an increasingly threatening way. As Ruth struggles to unravel the cryptic message hidden in the kimono tattoo, she is forced to confront a vicious killer along with her own painful family secrets.
Created Being
The doctrine of the incarnation stands at the heart of Christian faith and formation. Perhaps for that very reason, Christian claims about the incarnation are hotly contested. Specifically, a common critique of the orthodox doctrine holds that the belief that God's becoming flesh in the person of Jesus is a universally significant event causes problems in an increasingly pluralistic world. Some argue that the doctrine supports injustice, others say that it is logically incoherent, and still others find it implausible. Rebecca L. Copeland undertakes to recover the essence of traditional Christian convictions about the person of Christ. Instead of tempering christological claims to avoid such ...
Lost Leaves
Most Japanese literary historians have suggested that the Meiji Period (1868-1912) was devoid of women writers but for the brilliant exception of Higuchi Ichiyo (1872-1896). Rebecca Copeland challenges this claim by examining in detail the lives and literary careers of three of Ichiyo's peers, each representative of the diversity and ingenuity of the period: Miyake Kaho (1868-1944), Wakamatsu Shizuko (1864-1896), and Shimizu Shikin (1868-1933). In a carefully researched introduction, Copeland establishes the context for the development of female literary expression. She follows this with chapters on each of the women under consideration. Miyake Kaho, often regarded as the first woman writer ...
The Sound of the Wind
Fashion ingenue, magazine editor, kimono designer, femme fatale, prize-winning writer--Uno Chiyo has becomeone of twentieth-century Japan's most accomplished and celebrated women. In this two-part volume, Rebecca L. Copeland offers Western readers a fascinating portrait of Uno's life along with translations of three of her distinctive works of short fiction. Part One depicts Uno's sometimes turbulent passage from obscurity in a small village to national literary prominence. There are the early years under her father's stern turelage; the first scandalous, failed romance which cost her her job as a schoolteacher; her apprenticeship at Enrakuken, the coffee shop of the literary elite whose ran...
Yamamba
Women, Magic, Wisdom: Explore a Japanese myth through the words and images of key scholars and artists.
The Goddess Chronicle
On an island in the shape of a teardrop live two sisters. One is admired far and wide, the other lives in her shadow. One is the Oracle, the other is destined for the Underworld. But what will happen when she returns to the island? Based on the Japanese myth of Izanami and Izanagi, The Goddess Chronicle is a fantastical tour de force about ferocious love and bitter revenge. The Myths series brings together some of the world’s finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and Jeanette Winterson.
Diva Nation
Diva Nation explores the constructed nature of female iconicity in Japan. From ancient goddesses and queens to modern singers and writers, this edited volume critically reconsiders the female icon, tracing how she has been offered up for emulation, debate or censure. The research in this book culminates from curiosity over the insistent presence of Japanese female figures who have refused to sit quietly on the sidelines of history. The contributors move beyond archival portraits to consider historically and culturally informed diva imagery and diva lore. The diva is ripe for expansion, fantasy, eroticization, and playful reinvention, while simultaneously presenting a challenge to patriarchal culture. Diva Nation asks how the diva disrupts or bolsters ideas about nationhood, morality, and aesthetics.
Eastwards
Eastwards is a collection of essays each of whom focuses on a special aspect or on an episode within the cross-cultural narrative that imposes on our minds the terms "West" and "East". The volume assembles seventeen essays by eighteen authors divided into three chapters. Being the outcome of the first international conference for East Asian studies that was held in the Baltic states in 2008 at the University of Latvia in Riga, the volume contains not only contributions by scholars from Vilnius, Tallinn and Riga but also rather rare topics like critiques of translation from Japanese and Classical Chinese into Latvian. The book contains also an essay on the life and personality of an almost neglected Baltic "pioneer" in Manchuria
Grotesque
Two prostitutes are murdered in Tokyo. Twenty years previously both women were educated at the same elite school for young ladies, and had seemingly promising futures ahead of them. But in a world of dark desire and vicious ambition, for both women, prostitution meant power. Grotesque is a masterful and haunting thriller, a chilling exploration of women's secret lives in modern day Japan.
Imagination without Borders
Tomiyama Taeko, a Japanese visual artist born in 1921, is changing the way World War II is remembered in Japan, Asia, and the world. Her work deals with complicated moral and emotional issues of empire and war responsibility that cannot be summed up in simple slogans, which makes it compelling for more than just its considerable beauty. Japanese today are still grappling with the effects of World War II, and, largely because of the inconsistent and ambivalent actions of the government, they are widely seen as resistant to accepting responsibility for their nation’s violent actions against others during the decades of colonialism and war. Yet some individuals, such as Tomiyama, have produced nuanced and reflective commentaries on those experiences, and on the difficulty of disentangling herself from the priorities of the nation despite her lifelong political dissent. Tomiyama’s sophisticated visual commentary on Japan’s history—and on the global history in which Asia is embedded—provides a compelling guide through the difficult terrain of modern historical remembrance, in a distinctively Japanese voice.
