You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
“I had just witnessed women who shingled their own roofs, drove eighteen-wheeler trucks, and built their own houses—as well as kept them clean and cooked a damn good meal. On women’s land I am a first-class citizen, I’m treated as an equal. I now see the world with righteous anger and hope. Living in womyn’s community has provided that lens for me.” —Elizabeth Sturrus, third wave feminist One of the driving forces in the lives of many lesbians is the search for community in a society that favors heterosexuality and often turns a cold shoulder toward women who love women. Lesbian Communities: Festivals, RVs, and the Internet takes you inside flourishing lesbian communities—phy...
The language of a thousand years of European Jewish civilization that was decimated in the Nazi Holocaust, Yiddish has emerged as a vehicle for young people to engage with their heritage and identity. Although widely considered an endangered language, Yiddish has evolved as a site for creative renewal in the Jewish world and beyond in addition to being used daily within Hasidic communities. Yiddish Lives On explores the continuity of the language in the hands of a diverse group of native, heritage, and new speakers. The book tells stories of communities in Canada and abroad that have resisted the decline of Yiddish over a period of seventy years, spotlighting strategies that facilitate conti...
After losing most of their families in the Holocaust, 4 Jews in Liepaja/Latvia are hidden by a brave gentile couple (Roberts and Johanna Seduls), who build a hiding place in the cellar of an apartment building in the center of town and provide handguns and a radio for the Jews. Gradually 7 other Jews join them after hair-raising escapes. At first all are elated, but as the months go by and the Red Army fails to capture the city, relations become more and more strained by crowding, food shortages, air raids, police searches, and other almost daily scares. Tragically, the rescuer Roberts Seduls is killed by a Soviet bomb two months before the end of the war. Liberation-if that is the word-by the Red Army comes only after German capitulation on May 9, 1945.
Over the past ten years, fan fiction has outgrown its perceived taboo, as made by the public, and has evolved into a legitimate form of writing and self-expression. Academics, too, have recognized the potential for fan fiction studies through the lens of the humanities, psychology, sociology, and gender and queer studies. What makes 'Fix-It Fics: Challenging the Status Quo through Fanfiction' unique is in its specific focus on the fan fiction subgenre: fix-it fics. Also known in fan fiction communities as the fix-it, fans writing in this subgenre are motivated by fixing what they believe the original creators did not get right the first time. More significantly, fix-it fic writers generally ...
No Better Home? brings together a unique combination of voices to question whether or not Canada is the best home that Jews have ever had.
This volume engages with memory of the Holocaust as expressed in literature, film, and other media. It focuses on the cultural memory of the second and third generations of Holocaust survivors, while also taking into view those who were children during the Nazi period. Language loss, language acquisition, and the multiple needs of translation are recurrent themes for all of the authors discussed. By bringing together authors and scholars (often both) from different generations, countries, and languages, and focusing on transgenerational and translational issues, this book presents multiple perspectives on the subject of Holocaust memory, its impact, and its ongoing worldwide communication.
Movie-Made Jews focuses on American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation, and through unapologetic assertion of Jewishness, queerness, and alliances across race and religion. While it's a truism that Jews make movies, this book demonstrates how movies make Jews.
Yiddish Paris explores how Yiddish-speaking emigrants from Eastern Europe in Paris in the 1920s and 1930s created a Yiddish diaspora nation in Western Europe and how they presented that nation to themselves and to others in France. In this meticulously researched and first full-length study of interwar Yiddish culture in France, author Nicholas Underwood argues that the emergence of a Yiddish Paris was depended on "culture makers," mostly left-wing Jews from Socialist and Communist backgrounds who created cultural and scholarly organizations and institutions, including the French branch of YIVO (a research institution focused on East European Jews), theater troupes, choruses, and a pavilion at the Paris World's Fair of 1937. Yiddish Paris examines how these left-wing Yiddish-speaking Jews insisted that even in France, a country known for demanding the assimilation of immigrant and minority groups, they could remain a distinct group, part of a transnational Yiddish-speaking Jewish nation. Yet, in the process, they in fact created a French-inflected version of Jewish diaspora nationalism, finding allies among French intellectuals, largely on the left.
A Taytsh Manifesto calls for a translational paradigm for Yiddish studies and for the study of modern Jewish culture. Saul Noam Zaritt calls for a shift in vocabulary, from Yiddish to taytsh, in order to promote reading strategies that account for the ways texts named as Jewish move between languages and cultures. Yiddish, a moniker that became dominant only in the early twentieth century, means “Jewish” and thus marks the language with a single identity: of and for a Jewish collective. In contrast, this book calls attention to an earlier and, at one time, more common name for the language: taytsh, which initially means “German.” By using the term taytsh, speakers indicated that they...
Driven from their homes in Russia, Poland, and Romania by pogroms and poverty, many Jews who came to Canada in the wave of immigration after the 1905 Russian revolution were committed radicals. A Future Without Hate or Need brings to life the rich and multi-layered lives of a dissident political community, their shared experiences and community-building cultural projects, as they attempted to weave together their ethnic particularity—their identity as Jews—with their internationalist class politics.