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The murder of British Columbia teen Reena Virk shocked Canadians and provoked an outpouring of media commentary, academic explanation, plays, and novels. But while much attention was paid to the problem of violence and "girl bullying," race and related issues hardly figured in mainstream conversation. This collection aims to refocus the conversation about Reena Virk by considering how racism, colonialism, and hierarchies of gender, class, age, and sexuality figure in this crime and our understanding of it. The ten thoughtful chapters by both prominent and emerging scholars force us to grapple with the difficult and at times ugly implications of Reena Virk's murder for Canadian national identity.
Reena wants to be a star... ...A Bollywood star. Unfortunately, her family won't stand for it. It doesn't help that Reena is only eight-years-old. However, a beacon of hope arrives in the form of Uncle Jessi. He's just emigrated from India to America, and is a welcome addition to her family household. Uncle Jessi and Reena share a special bond. Not only are they old pen pals, but he recognizes her desperation to become a Bollywood actress. One day, Uncle Jessi plans a secret surprise. He invites her to take part in a pretend acting game. Reena jumps at the chance. At first, she enjoys swinging her hips to Bollywood beats. She smiles brightly at his camera. However, halfway through her perfor...
"Sister Circle: Black Women and Work" is the end product of almost a decade's commitment made to each other by a small group of interdisciplinary Black and (one) white "Sister Scholars" at the University of Maryland in 1993.
"The Jerusalem Vampire", an oral folklore history of a modern vampire invasion of Israel, centers on Jerusalem, and ultimately ends in the defeat of count Culandra (Dracula) and his vampire cohorts.
Hello Book Lovers, I'm thrilled to introduce you to my created word called The Titan Hotel. Before you dive in, I want to share something important about this story. It's a bit like a slow dance – it takes its time to pick up the pace, but once it does, you'll be glad you stuck around. In the beginning, you might feel like things are moving slowly. Don't worry, that's by design. It's all about setting the stage, introducing you to the characters, and building the world they live in. Think of it as laying the groundwork for the amazing things to come. This story prides itself on realism and logical developments. It's straightforward yet full of unexpected twists and turns that will catch yo...
S Chand’s ISC Mathematics is structured according to the latest syllabus as per the new CISCE(Council for the Indian School Certificate Examinations), New Delhi, for ISC students taking classes XI & XII examinations.
Description of the product: Fresh & Relevant with the Latest ICSE Specimen Paper 2025 Score Boosting Insights with 450 Questions & 250 Concepts (approx.) Insider Tips & Techniques with On Tips Notes, Mind Maps & Mnemonics Exam Ready Practice with 5 Solved & 5 Self-Assessment Papers (with Hints) Online Courses with Oswaal 360 Courses and sample Papers to enrich the learning journey further Strictly as per the Latest Syllabus & Specimen Paper 2025 Issued by CISCE Includes Competency Focused questions based on Bloom’s Taxonomy (Create, Evaluate, Analyse, Apply, Understand and Remember) Official Marking Scheme Decoded
The 1950s era of science fiction film effectively ended when space flight became a reality with the first manned orbit of Earth in 1962. As the genre's wildly speculative depictions of science and technology gave way to more reality-based representations, relations between male and female characters reflected the changing political and social climates of the era. Drawing on critical analyses, film reviews and cultural commentaries, this book examines the development of science fiction film and its representations of gender, from the groundbreaking films of 1968--including 2001: A Space Odyssey, Barbarella and Planet of the Apes--through its often overlooked "Middle Period," which includes such films as Colossus: The Forbin Project (1970), The Stepford Wives (1975) and A Boy and His Dog (1975). The author examines intersections of gender and race in The Omega Man (1971) and Frogs (1972), gender and dystopia in Soylent Green (1973) and Logan's Run (1976), and gender and computers in Demon Seed (1977). The big-budget films of the late 1970s--Close Encounters of the Third Kind, Alien and Star Wars--are also discussed.