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Report of the British and Foreign Bible Society
  • Language: en
  • Pages: 970

Report of the British and Foreign Bible Society

  • Type: Book
  • -
  • Published: 1854
  • -
  • Publisher: Unknown

Vols. 1-64 include extracts from correspondence.

The Report of the British and Foreign Bible Society
  • Language: en
  • Pages: 674

The Report of the British and Foreign Bible Society

  • Type: Book
  • -
  • Published: 1900
  • -
  • Publisher: Unknown

Vols. 1-64 include extracts from correspondence.

Bye-gones
  • Language: en
  • Pages: 774

Bye-gones

  • Type: Book
  • -
  • Published: 1887
  • -
  • Publisher: Unknown

None

Appendix to the twenty-sixth (twenty-seventh, thirty-fifth-forty-seventh) report
  • Language: en
  • Pages: 720
The Cambrian
  • Language: en
  • Pages: 990

The Cambrian

  • Type: Book
  • -
  • Published: 1882
  • -
  • Publisher: Unknown

None

Report - British and Foreign Bible Society
  • Language: en
  • Pages: 756

Report - British and Foreign Bible Society

  • Type: Book
  • -
  • Published: 1895
  • -
  • Publisher: Unknown

Vols. 1-64 include extracts from correspondence.

Cambrian Quarterly Magazine and Celtic Repertory
  • Language: en
  • Pages: 552

Cambrian Quarterly Magazine and Celtic Repertory

  • Type: Book
  • -
  • Published: 1831
  • -
  • Publisher: Unknown

None

Re/Imagining Depression
  • Language: en
  • Pages: 233

Re/Imagining Depression

What is depression? An “imagined sun, bright and black at the same time?” A “noonday demon?” In literature, poetry, comics, visual art, and film, we witness new conceptualizations of depression come into being. Unburdened by diagnostic criteria and pharmaceutical politics, these media employ imagery, narrative, symbolism, and metaphor to forge imaginative, exploratory, and innovative representations of a range of experiences that might get called “depression.” Texts such as Julia Kristeva’s Black Sun: Depression and Melancholia (1989), Andrew Solomon’s The Noonday Demon (2000), Allie Brosh’s cartoons, “Adventures in Depression” (2011) and “Depression Part Two” (2013...

Poetry, Geography, Gender
  • Language: en
  • Pages: 254

Poetry, Geography, Gender

Poetry, Geography, Gender examines how questions of place, identity and creative practice intersect in the work of some of Wales' best known contemporary poets, including Gillian Clarke, Gwyneth Lewis, Ruth Bidgood and Sheenagh Pugh. Merging traditional literary criticism with cultural-political and geographical analysis, Alice Entwistle shows how writers' different senses of relationship with Wales, its languages, history and imaginative, as well as political, geography feeds the form as well as the content of their poetry. Her innovative critical study thus takes particular interest in the ways in which author, text and territory help to inform and produce each other in the culturally complex and confident small nation that is twenty-first century Wales.