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Nutritional Disorders of Plants
Ocurrence,identification,and differentiation of nutritional disorder symptoms caused by mineral elements in cultivated plants, Mineral nutrition of crop plants and resistance to pest and pathogenes, Causes,development,and diagonsis of symptoms resulting from mineral element deficiency and excess, Plant analysis, Keys for diagnosing nutrient deficiency and mineral excess, Colour pictures, Proof of donors of colour pictures.
Pharmacopoeia 2009
Tarascon Pocket Pharmacopoeia, 2008 Deluxe Lab-Coat Pocket Edition continues high-quality tradition of a convenient and organized pocket manual detailing typical drug dosing (both FDA approved and off-label uses), available trade and generic formulations, metabolism, Canadian drug names, relative pricing, information, and safety in pregnancy and lactation. The Deluxe takes it all a step further by including additional drugs and dosing indications, black-box warnings, notes of cytochrome P450 isozymes, Packed with this expanded information and more tables than the Classic, the Deluxe is still small enough to comfortably fit in our labcoat pocket. As with the Classic, all entries are meticulously peer-reviewed by drug information experts and clinicians of multiple specialties.
Cheskian Anthology
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Critique of Violence
Critique of Violence is a highly original and lucid investigation of the heated controversy between poststructuralism and critical theory. Leading theorist Beatrice Hanssen uses Walter Benjamin's essay 'Critique of Violence' as a guide to analyse the contentious debate, shifting the emphasis from struggle to dialogue between the two parties. Regarding the questions of critique and violence as the major meeting points between both traditions, Hanssen positions herself between the two in an effort to investigate what critical theory and poststructuralism have to offer each other. In the course of doing so, she assembles imaginative new readings of Benjamin, Arendt, Fanon and Foucault, and inci...
Anselm of Canterbury
Anselm is a major figure in theological, philosophical and historical studies. This book provides a fresh approach to the study of this great figure; one which provides critical interaction with current critical thinking whilst arguing in favour of the idea of theological unity in Anselm's corpus. Exploring the Proslogion, but also more 'minor' works, David Hogg interacts with the theological content of Anselm's writings: showing how Anselm's ontological argument fits into the wider context of his theology; comparing the holistic approach of Anselm's thought with that of other medieval personages and fitting him into the wider medieval context; and revealing how Anselm's theology integrates the atonement and questions of predestination, the fall of the Devil and free will, and other issues. The book concludes with an assessment of the impact of Anselm's theology during his own time, and the continuing effect his thinking has had on succeeding centuries of theological development.
Other Modernisms in an Age of Globalization
Both Modernism and Globalization are concepts that oscillate between homogenization and differentiation, each supplying totalizing platforms and sites of resistance. Cultural manifestations of difference and accommodation arise, producing their own specific temporalities in diverse practices of disparate Modernisms. Where Modernism and Globalization meet, the antithetical impulses within each serve as an intensifying dynamic for cultural contestation and discursive formations. The essays collected in this volume aim at the discrepant formations and multiple temporalities that issue from this dynamic yielding emphatic alterities in modes of cultural and literary production and material culture. Discussed are, among others, the following aspects: - Redefining Modernism - Modernity - Modernization - Local Concepts and Temporalities of Modernism - Global Transfers of Texts and Concepts - Reading the Other in/of Modernism - Places of Modernity in Literature and Film.
Film Music
"That Mr. Prendergast is unusually well-equipped to discuss both the technology and the aesthetics of film music is revealed once more in this second edition, particularly in the new section on synthesizers. And in this discussion he is disarmingly frank and perceptive. The hands-on experience he has had as one of Hollywood's leading music editors has allowed him to make comments and judgments that serve the history of film music." William Kraft, composer, from the Foreword"
Referativnyĭ Zhurnal
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