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The Deadly Ethnic Riot
Donald L. Horowitz's comprehensive consideration of the structure and dynamics of ethnic violence is the first full-scale, comparative study of what the author terms the deadly ethnic riot—an intense, sudden, lethal attack by civilian members of one ethnic group on civilian members of another ethnic group. Serious, frequent, and destabilizing, these events result in large numbers of casualties. Horowitz examines approximately 150 such riots in about fifty countries, mainly in Asia, Africa, and the former Soviet Union, as well as fifty control cases. With its deep and thorough scholarship, incisive analysis, and profound insights, The Deadly Ethnic Riot will become the definitive work on it...
Bulletin
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"This study of successful mediation in a half-dozen violent conflicts across the African continent focuses on a hitherto neglected dimension of mediation and the motivations of the parties in conflict - and of the mediators themselves - in initiating the mediation option. The "problem" of many journalistic accounts and scholarly analyses of conflict mediation is that they detail the mediation process in full swing but have largely neglected the crucial phase of mediators' entry into the destructive and disturbing mass violence in Burundi, Rwanda, the Congo, Sudan, West Africa, and the border conflict between Ethiopia and Eritrea. This collaboration of renowned scholars and a practitioner in conflict management and African politics seeks to draw wide-ranging and timely conclusions on the early stages of mediation from six case studies."--BOOK JACKET.
Ethnic Groups in Conflict, Updated Edition With a New Preface
Drawing material from dozens of divided societies, Donald L. Horowitz constructs his theory of ethnic conflict, relating ethnic affiliations to kinship and intergroup relations to the fear of domination. A groundbreaking work when it was published in 1985, the book remains an original and powerfully argued comparative analysis of one of the most important forces in the contemporary world.
Postcolonial Criticism and Representations of African Dictatorship
The figure of the dictator looms large in representations of postcolonial Africa. Since the late 1970s, writers, film-makers and theorists have sought to represent the realities of dictatorship without endorsing the colonialist cliches portraying Africans as incapable of self-government. Against the heavily-politicized responses provoked by this dilemma, Bishop argues for a form of criticism that places the complexity of the reader's or spectator's experiences at the heart of its investigations. Ranging across literature, film and political theory, this study calls for a reengagement with notions - often seen as unwelcome diversions from political questions - such as referentiality, genre and aesthetics. But rather than pit 'political' approaches against formal and aesthetic procedures, the author presents new insights into the interplay of the political and the aesthetic. Cecile Bishop is a Junior Research Fellow in French at Somerville College, Oxford.
ASC Newsletter
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Mechanics' Magazine
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Mechanics Magazine
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