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Production Pipeline Fundamentals for Film and Games
  • Language: en
  • Pages: 370

Production Pipeline Fundamentals for Film and Games

  • Type: Book
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  • Published: 2014-02-05
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  • Publisher: CRC Press

Every production is built on the backbone of the pipeline. While a functional and flexible pipeline can’t assure a successful project, a weak pipeline can guarantee its demise. A solid pipeline produces a superior product in less time and with happier artists who can remain creative throughout the grueling production schedule. Walk through the foundational layers of the production pipeline, including IT infrastructure, software development practices and deployment policies, asset management, shot management, and rendering management. Production Pipeline Fundamentals for Film and Games will teach you how to direct limited resources to the right technological initiatives, getting the most for every dollar spent. Learn how to prepare for and manage all aspects of the pipeline with this entirely unique, one-of-a-kind guide. Expand your knowledge with real-world pipeline secrets handed to you by a stellar group of professionals from across the globe. Visit the companion website for even further resources on the pipeline.

Animating Unpredictable Effects
  • Language: en
  • Pages: 210

Animating Unpredictable Effects

Uncanny computer-generated animations of splashing waves, billowing smoke clouds, and characters flowing hair have become a ubiquitous presence on screens of all types since the 1980s. This Open Access book charts the history of these digital moving images and the software tools that make them. Unpredictable Visual Effects uncovers an institutional and industrial history that saw media industries conducting more private R & D as Cold War federal funding began to wane in the late 1980s. In this context studios and media software companies took concepts used for studying and managing unpredictable systems like markets, weather, and fluids and turned them into tools for animation. Unpredictable Visual Effects theorizes how these animations are part of a paradigm of control evident across society, while at the same time exploring what they can teach us about the relationship between making and knowing.

21st Century China
  • Language: en
  • Pages: 265

21st Century China

Australian Prime Minister Kevin Rudd famously said that China issues are part of 21st century Australia’s ‘very life-blood’. This brings short-term challenges to the Australia-China relationship, from Chinese investments in our resources to visits to Australia by expatriate regional political and religious leaders, labelled ‘splittists’ or ‘terrorists’ by the Chinese government. Our long-term relationship includes robust scholarship on China as an emerging superpower. In this book, leading Australian academics comment on the arts, law, politics and society in China today. The book opens with Geremie Barmé’s essay on re-orienting Beijing city for the Olympics and closes with restaurateur Kylie Kwong’s reminiscences—and recipes—from a Chinese childhood in Sydney’s suburbs. Readers will disover a rich engagement with China in the twelve chapters of this volume, ranging from Confucianism to ‘green’ Australian-Chinese cuisine.

Modernist Time Ecology
  • Language: en
  • Pages: 321

Modernist Time Ecology

Modernist Time Ecology is a deeply interdisciplinary book that changes what we think literature and the arts can do for the world at large.

Time
  • Language: en
  • Pages: 382

Time

  • Type: Book
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  • Published: 2016-08-02
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  • Publisher: NYU Press

The critical condition and historical motivation behind Time Studies The concept of time in the post-millennial age is undergoing a radical rethinking within the humanities. Time: A Vocabulary of the Present newly theorizes our experiences of time in relation to developments in post-1945 cultural theory and arts practices. Wide ranging and theoretically provocative, the volume introduces readers to cutting-edge temporal conceptualizations and investigates what exactly constitutes the scope of time studies. Featuring twenty essays that reveal what we talk about when we talk about time today, especially in the areas of history, measurement, and culture, each essay pairs two keywords to explore...

The Digitization of Cinematic Visual Effects
  • Language: en
  • Pages: 345

The Digitization of Cinematic Visual Effects

The Digitization of Cinematic Visual Effects: Hollywood's Coming of Age, by Rama Venkatasawmy, analyzes how the Hollywood cinema industry's visual effects applications have not only motivated the expansion of filmmaking praxis, they have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitization of their associated technologies, VFX have been responsible for multiplying the strategies of representation and storytelling, as well as extending the range of stories that can potentially be told onscreen. By the same token, the visual standards of the Hollywood film's production and exhibition have been growing in sophistication. On the basis of di...

Ancestry and Descendants of Joseph Blocher and Elizabeth Roberts
  • Language: en
  • Pages: 330

Ancestry and Descendants of Joseph Blocher and Elizabeth Roberts

  • Type: Book
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  • Published: 1997
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  • Publisher: Unknown

Joseph Blocher and Elizabeth Roberts were married in Pennsylvania and moved to Ohio by the 1830 census. Includes ancestors, siblings and descendants. His father, Mathias Blocher immigrated from Germany in 1751.

Newsletter
  • Language: en
  • Pages: 52

Newsletter

  • Type: Book
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  • Published: 1986
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  • Publisher: Unknown

None

The Munson Record
  • Language: en
  • Pages: 680

The Munson Record

  • Type: Book
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  • Published: 1993
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  • Publisher: Unknown

None

Media Heterotopias
  • Language: en
  • Pages: 240

Media Heterotopias

In Media Heterotopias Hye Jean Chung challenges the widespread tendency among audiences and critics to disregard the material conditions of digital film production. Drawing on interviews with directors, producers, special effects supervisors, and other film industry workers, Chung traces how the rhetorical and visual emphasis on seamlessness masks the social, political, and economic realities of global filmmaking and digital labor. In films such as Avatar (2009), Interstellar (2014), and The Host (2006)—which combine live action footage with CGI to create new hybrid environments—filmmaking techniques and "seamless" digital effects allow the globally dispersed labor involved to go unnotic...