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Modern-day Namibian history has largely been shaped by three major eras: German colonial rule, South African apartheid occupation, and the Liberation Struggle. It was, however, not only military conquest that laid the cornerstone for the colony, but also how the colony was imagined, the ‘dream’ of this colony. As a tool of discursive worldmaking, literature has played a major role in providing a framework in which to ‘dream’ Namibia, first from outside its borders, and then from within. In Fictioning Namibia as a Space of Desire, Renzo Baas employs Henri Lefebvre’s city–countryside dialectic and reworks it in order to uncover how fictional texts played an integral part in the violent acquisition of a foreign territory. Through the production of myths around whiteness, German and South African authors designed a literary space in which control, destruction, and the dehumanisation of African peoples are understood as a natural order, one that is dictated by history and its linear continuation. These European texts are offset by Namibia’s first novel by an African, offering a counter-narrative to the colonial invention that was (German) South West Africa.
The essays in this volume all circle around questions of urbanisation in (post-)apartheid South Africa and its effects on the country's socio-political realities, as well as its representation in-and effect on-the country's literary and artistic production. The included essays discuss the constant flow of people (not only into, within, and out of a city, but also between different cities), the continuously changing conditions (both physical and immaterial as well as past and present) of (South) Africa's urban areas, and these shifting conditions' effects on (South) Africa's cities. (Series: Swiss African Studies / Schweizerische Afrikastudien - Etudes africaines suisses, Vol. 12) [Subject: African Studies, Urban Studies, Sociology]
In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land...
A new take on Afrofuturism, this book gathers together a range of contemporary voices who, carrying legacies of 500 years of contact between Africa, Europe, and the Americas, reach towards the stars and unknown planets, galaxies, and ways of being. Writing from queer and feminist perspectives and circumnavigating continents, they recalibrate definitions of Afrofuturism. The editors and contributors of this exciting volume thus reflect upon the re-emergence of Black visions of political and cultural futures, proposing practices, identities, and collectivities. With contributions from AfroFuturist Affair, John Akomfrah, Jamika Ajalon, Stefanie Alisch, Jim Chuchu, Grisha Coleman, Thomas F. DeFrantz, Abigail DeVille, M. Asli Dukan with Wildseeds, Kodwo Eshun, Anna Everett, Raimi Gbadamosi, Alexis Pauline Gumbs, Milumbe Haimbe, Ayesha Hameed, Kiluanji Kia Henda, Kara Keeling, Carla J. Maier, Tobias Nagl, Tavia Nyongo, Rasheedah Phillips, Daniel Kojo Schrade, Nadine Siegert, Robyn Smith, Greg Tate and Frohawk Two Feathers.
The book offers a novel approach to the question of how to model narrativity against the background of perspectivization. By bringing together contributions from neuro- and cognitive linguistics, literary studies, and picture theory, the volume uncovers basic mechanisms of perspectivization that are common to the different levels of linguistic structure, literary novels, and narrative pictures. As such, it is also a book on narrative perspectivization since its contributions examine in detail the perspectival principles in medieval, romantic and postmodern literature, in the micro-linguistic structure of language, narrative pictures, literary novels, dramatic texts, and everyday stories. In doing so, it contributes both to the theoretical debate on the core definition of narrativity and offers new empirical investigations on perspectival principles in specific historical, medial, and genre constellations. This volume will be of interest to scholars and students of cognitive linguistics, narrative research and (transmedial) narratology, cognitive poetics, and stylistics.
The Lower !Garib, or Orange River, flows through the historical Namaqualand and since 1990 has formed the international border between Namibia and South Africa. The contributors to this volume focus on this hardly discussed stretch of the Orange River to understand the region's social history, geography, and economy. This book brings together scholars from Namibia, South Africa, and overseas, as well as the knowledge and analysis from people living in the region. In concise chapters and short portraits, they discuss the region's past and present from a variety of perspectives.
Providing the same breadth of information offered in The Olympics Factbook--licensed by the US Olympic Committee and issued to every 1992 Winter American Olympian--this all-new guide launches the reader into February, 1994, with facts, stats, rules, and profiles of the athletes. 100 photos.
Vols. 1884/86-1910/12 include reports of the Superintendent of Public Property; 1874/75-1910/12 include reports of the Printing Board.
The late 1960s witnessed the emergence of African women writers on the African literary space earlier dominated by African men. African women’s writings largely focus on deconstructing the patriarchal order, religious prescription and cultural mores in order to tear women’s veil of invisibility. The topics covered in the book are comprehensive and include among others: The Francophone African Novel; Religious and cultural constructs of African women; The poetic constructs of African women; Fictional constructs of subaltern African women; Marriage and the subordination of women; Physical and sexual exploitation of women; Women and Polygamy in men’s fiction; African women writers and the utilitarian function of their art; Female protagonists in fiction by African women; Discourse on the oppressors and the oppressed; African feminism/Western Feminism.
Abdilatif Abdalla: Poet in Politics celebrates the work of Abdilatif Abdalla, one of Kenya’s most well-known poets and a committed political activist. It includes commentary essays on aspects of Abdilatif Abdalla’s work and life, through inter-weaving perspectives on poetry and politics, language and history; with contributions by East African writers and scholars of Swahili literature, including Ngugi wa Thiong’o, Said Khamis, Ken Walibora, Ahmed Rajab, Mohamed Bakari, and Sheikh Abdilahi Nassir, among others. Abdalla became famous in 1973, with the publication of Sauti ya Dhiki (Voice of Agony), a collection of poems written secretly in prison during three years of solitary confine...