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The Quarterly Review
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The Dévotes
In The Dévotes Elizabeth Rapley provides a detailed and comprehensive account of the feminization of the Church in seventeenth-century France and as far abroad as New France. --! From publisher's description.
Paternity and Fatherhood
What kind of connotation does the word 'father' have in everyday language? How have states and governments defined and manipulated the paternal role? What is a 'father-figure'? What can literature tell us about absent or overbearing fathers? How far is the cultural construct of fatherhood linked to biological paternity, and what is biological paternity? These are some of the questions explored through the chapters in this book, which together offer a fascinatingly complex view of fatherhood across the centuries.
The Quarterly review
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Broken Tablets
In this first study of art, law, and the legislator, Jonathan Ribner provides a revealing look at French art from 1789 to 1848, the period in which constitutional law was established in France. Drawing on several disciplines, he discusses how each of the early constitutional regimes in France used imagery suggesting the divine origin and sacred character of its laws. Primarily a study of art and politics, Broken Tablets discusses painting, sculpture, prints, and medals (many reproduced here for the first time), as well as contemporary literature, including the poetry of Alfred de Vigny, Alphonse de Lamartine, and Victor Hugo. Ribner assesses the ways in which legislation imagery became an instrument of political propaganda, and he clearly illuminates the cult of the law as it became personalized under Napoleon, monarchist under the Restoration, and defensive under Louis-Phillipe.
The Critical Mythology of Irony
An ambitious theoretical work that ranges from the age of Socrates to the late twentieth century, this book traces the development of the concepts of irony within the history of Western literary criticism. Its purpose is not to promote a universal definition of irony, whether traditional or revisionist, but to examine how such definitions were created in critical history and what their use and invocation imply. Joseph A. Dane argues that the diverse, supposed forms of irony--Socratic, rhetorical, romantic, dramatic, to name a few--are not so much literary elements embedded in texts, awaiting discovery by critics, as they are notions used by critics of different eras and persuasions to manipu...
A World Abandoned by God
The idea of God, in one form or another, is a fundamental part of human experience - a given, almost. And yet, for over one hundred and fifty years, we have lived in a world become increasingly secular. The goal of this book is to reconcile these facts, or rather to examine their interaction and, in so doing, to understand the idea and the experience of secularism. Concentrating on five canonical French and Russian novels of the nineteenth century (Stendahl's The Red and the Black, Gustave Flaubert's Madame Bovary, Ivan Turgenev's A Nest of Gentry, Jules Barbey d'Aurevilly's Bewitched, and Fyodor Dostoevsky's Demons) and using the instruments of narrative theory, this book offers a groundbreaking critical foundation for understanding both the evolution of secular culture and the new role of the individual in modern ethical, political, and spiritual contexts.
1812
Reproduction of the original.
