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The Politics of Farce in Contemporary Spanish American Theatre is the first book-length study of the role of farce in Spanish American theatre. Spanish American playwrights have realized that farce's "lack of power" and marginality can become a res
Portrays the migration of a Puerto Rican family from the countryside to the San Juan ghetto and eventually to Spanish Harlem in New York City.
"A collection of essays highlighting the author's interest in Puerto Rican literature. For Caballero, Puerto Rican fiction is characterized by the fact that ""each writer, by inventing his or her own reality, also reinterprets the history of contemporary Puerto Rico."" These essays examine the works of Rene Marques, Rosario Ferre and Edgardo Rodriguez Julia."
A major anthology of Hispanic writing in the U.S., ranging from the early Spanish explorers to the present day.
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Internationally renowned scholars address the Cuban diaspora from multiple perspectives and locations.
From the late 1940s to the early 1960s, Puerto Rico was swept by a wave of modernization, transforming the island from a predominantly rural society to an unquestionably urban one. A curious paradox ensued, however. While the island underwent rapid urbanization, and the rhetoric of economic development reigned over official discourses, the newly installed insular government, along with some academic circles and radio and television media, constructed, promoted, and sponsored a narrative of Puerto Rican culture based on rural subjects, practices, and spaces. By examining a wide range of cultural texts, but focusing on the film production of the Division of Community Education, the popular dance music of Cortijo y su combo, and the literary texts of Jose Luis Gonzalez and Rene Marques, Concrete and Countryside offers an in-depth analysis of how Puerto Ricans responded to this transformative period. It also shows how the arts used a battery of images of the urban and the rural to understand, negotiate, and critique the innumerable changes taking place on the island.