You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
A profound understanding of the surrealists’ connections with alchemists and secret societies and the hermetic aspirations revealed in their works • Explains how surrealist paintings and poems employed mythology, gnostic principles, tarot, voodoo, alchemy, and other hermetic sciences to seek out unexplored regions of the mind and recover lost “psychic” and magical powers • Provides many examples of esoteric influence in surrealism, such as how Picasso’s Demoiselles d’Avignon was originally titled The Bath of the Philosophers Not merely an artistic or literary movement as many believe, the surrealists rejected the labels of artist and author bestowed upon them by outsiders, acce...
Tuning the World tells the unknown story of how the musical pitch A 440 became the global norm. Now commonly accepted as the point of reference for musicians in the Western world, A 440 hertz only became the standard pitch during an international conference held in 1939. The adoption of this norm was the result of decades of negotiations between countries, involving a diverse group of performers, composers, diplomats, physicists, and sound engineers. Although there is widespread awareness of the variability of musical pitches over time, as attested by the use of lower frequencies to perform early music repertoires, no study has fully explained the invention of our current concert pitch. In t...
“A convincing account of science’s flirtation with the marginal and the marvelous” from the author of Conjuring Science (Journal of the History of the Behavioral Sciences). Séances were wildly popular in France between 1850 and 1930, when members of the general public and scholars alike turned to the wondrous as a means of understanding and explaining the world. Sofie Lachapelle explores how five distinct groups attempted to use and legitimize séances: spiritists, who tried to create a new “science” concerned with the spiritual realm and the afterlife; occultists, who hoped to connect ancient revelations with contemporary science; physicians, psychiatrists, and psychologists, who...
Noakes' revelatory analysis of Victorian scientists' fascination with psychic phenomena connects science, the occult and religion in intriguing new ways.
Many people around the world accept the possibility of telepathy or clairvoyance. Very rarely, however, has anyone been able to demonstrate these psychic faculties with enough accuracy and reliability to produce significant results in repeated experimentation. An exception to this was the Polish engineer and industrialist Stefan Ossowiecki. Ossowiecki (1877-1944) is perhaps the most gifted psychic ever to come under the scrutiny of researchers. He demonstrated a range and quality of clairvoyance that no one has exceeded, at least under experimental controls. Equally important, he was eager to learn more about his talent and allowed a variety of researchers to use him in experiments. Anecdotal accounts of his talent abounded, but it was the controlled observations of investigators in experiments conducted in Paris and Warsaw that confirmed his gift. For the first time, this book brings to English-speaking researchers and the public detailed accounts of the crucial experiments carried out with Ossowiecki, which produced compelling evidence of paranormal cognition.
Engaging critically with the political and aesthetic agenda behind the project of recovery, this collection of specially commissioned essays offers revisionary readings of both established canonical Victorian women poets and re-discovered writers.
Biographical note: Sascha Bru, Genth University, Belgium; Peter Nicholls, University of Sussex, UK.
Explores how radio broadcasting and the emerging audio culture transformed the dynamics of French politics during the tumultuous interwar decades.