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Donna Russo's 'Vincent's Women' is the untold story of Vincent's loves: how they shaped his life, his art, and his death. It writes against the ‘myths,’ exploring the possibility that none of them are true. It is the only novel to bring into question his sexuality, how he lost his ear, who he lost it for, and how he might have died, all through the eyes of a woman. We learn of Her; we learn all of it through Her. The story is guided by Johanna van Gogh Bonger, Vincent's sister-in-law, as she decides to reveal the truth about Vincent to her son. We are then taken on a journey through Vincent's life, each section bringing a pivotal moment of Vincent's life alive while showing us the part s...
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The Aesthetics of Hate examines the writings of a motley collection of interwar far-right intellectuals, showing that they defined Frenchness in racial, gendered, and sexual terms. A broad, ambitious cultural and intellectual history, the book offers a provocative reinterpretation of a topic that has long been the subject of controversy. In works infused with rhetorics of abjection, disgust, and dissolution, such writers as Maulnier, Brasillach, Céline, and Blanchot imagined the nation through figures deemed illegitimate or inferior—Jews, colonial subjects, homosexuals, women. Sanos argues that these intellectuals offered an "aesthetics of hate," reinventing a language of far-right nationalism by appealing to the realm of beauty and the sublime for political solutions. By acknowledging the constitutive relationship of antisemitism and colonial racism at the heart of these canonical writers' nationalism, this book makes us rethink how aesthetics and politics function, how race is imagined and defined, how gender structured far-right thought, and how we conceive of French intellectualism and fascism.
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how ...
The role and influence of intellectuals is one of the flashpoints in the recurring debate on the nature and dimensions of French fascism. At the forefront of this debate are a group of emerging writers, collectively known as the Young Right. Though thoroughly schooled in the reactionary nationalism of Charles Maurras' Action francaise, whose orbit they entered in the early 1930s, they were soon seduced by the mobilizing force of neighboring fascist movements and regimes. Led by two precocious literary talents, Robert Brasillach and Thierry Maulnier, the Young Right set themselves to rejuvenating French nationalism and winning a place for France in an emerging new Europe. Their project - an attempt to graft lessons from foreign sources onto a native language of French generational and cultural politics - was one of several efforts to create a distinctive French fascism.
Describes developments in French popular culture between 1914 and 1945, and argues that the harsh times led to the emergence of images glorifying the common Frenchman in songs, film, and popular literature
This book presents fourteen new essays by international scholars about the intersections between pragmatism, education, and philosophy with children. Pragmatism from its beginnings has sought a revolution in learning, and is itself a special kind of philosophy of education. What can the applications of pragmatism to pedagogy around the world teach us today?
During the past 50 years, theological libraries have confronted secularisation and religious pluralism, along with revolutionary technological developments that brought not only significant challenges but also unexpected opportunities to adopt new instruments for the transfer of knowledge through the automation and computerisation of libraries. This book shows how European theological libraries tackled these challenges; how they survived by redefining their task, by participating in the renewal of scholarly librarianship, and by networking internationally. Since 1972, BETH, the Association of European Theological Libraries, has stimulated this process by enabling contacts among a growing number of national library associations all over Europe.
What was it like to visit Paris a century ago in 1924 when it was the most exciting city in the world? Where were the best places to eat? Where was the nightlife? Who might you expect to meet? And what were the fabled 'Chariots of Fire' Olympics really like? What has changed ... and indeed what is still there? Americans flocked to a city where there was no Prohibition and little inhibition. The arts flourished. Convention was challenged the new celebrated and non-conformity accepted. What did Chanel, Picasso and Hemingway and the rest get up to? All of this and more is swept up and revealed in Paris 1924 an amusing insightful and sometimes salacious guide to one of the world's greatest — and most beloved — cities.