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Shakespeare Revealed
Intimacies with Marlowe, entanglements in London with the mysterious dark lady, the probable fathering of an illegitimate son - the mysteries of Shakespeare's personal life have proven tantalisingly obscure. In Shakespeare Revealed, acclaimed authority, René Weis, brings the man and his milieu to the fore in a compelling reassessment. Breaking with tradition, he reveals how the works themselves contain a rich seam of clues about Shakespeare's life, from his heretical dalliances with Catholicism to his grief at the death of his son Hamnet. If there is a code in his writing, Shakespeare always intended it to be broken. This striking re-reading is consolidated by scrupulous archival research. Through reconstruction of records of the age, René Weis builds a colourful picture of Shakespeare's daily life: the bustling market town of Stratford, the spellbinding forests of Warwickshire, the pell-mell of London's theatres. Above all he reanimates Shakespeare's social scene: Stratford's family affairs and neighbourly disputes and a dangerous London scene, peopled with shady spies, informers and torturers.
Criminal Justice
Since her execution at Holloway prison in 1923, Edith Thompson has haunted the conscience of the nation. Grave doubts were expressed at the time about the extent to which she was responsible for her husband's murder in Ilford by her handsome young lover Frederick Bywaters. The Home Office files on the case were marked not to be opened for 100 years. The case against her rested largely on the evidence provided by 70 letters which she wrote to Bywaters. The truth is that these letters offer a unique insight into the workings of an overwrought romantic imagination, ultimately unable to free itself from the constraints of a suburban marriage and respectability. Through this correspondence and a painstaking reconstruction of the era, the author argues that Mrs Thompson was innocent.
Civilisation and Fear
Paradoxically, if nature has always been a source of fear, civilisation – its other and at the same time the epitome of progress and order – has not only doubled fear itself, but also added its new sister, anxiety. In effect, the notions of civilisation, fear and anxiety can hardly be separated. Fear – either linked with anxiety or distinct from it – lies at the foundation of civilisation, which as much promises to shelter us from these afflictions as it does proliferate them. Confronted no longer with the adversary powers of nature, humans have to face now the adversary powers produced by their own endeavours and ideologies. Each effort aimed at attaining an equilibrium results in n...
Shakespeare Beyond the Green World
Unpicking the ecopolitics of Shakespeare's plays at the Stuart court, Shakespeare Beyond the Green World establishes that the playwright was remarkably attentive to the environmental issues of his era. As a court dramatist, he designed his plays to captivate a patron deeply involved in both the conservation and exploitation of a burgeoning empire's natural resources. Spurred by James' campaign to unify his kingdoms, the Jacobean Shakespeare ventures beyond the green and pleasant lowlands of England to chart the wild topographies of an expansionist Great Britain: the blasted heath in Macbeth, the caves and mines of Timon of Athens, the overfished North Sea in Pericles, the Welsh mountains in ...
The Pursuit of Style in Early Modern Drama
The Pursuit of Style in Early Modern Drama examines how early modern plays celebrated the power of different styles of talk to create dynamic forms of public address. Across the sixteenth and seventeenth centuries, London expanded into an uncomfortably public city where everyone was a stranger to everyone else. The relentless anonymity of urban life spurred dreams of its opposite: of being a somebody rather than a nobody, of being the object of public attention rather than its subject. Drama gave life to this fantasy. Presented by strangers and to strangers, early modern plays codified different styles of talk as different forms of public sociability. Then, as now, to speak of style was to speak of a fantasy of public address. Offering fresh insight for scholars of literature and drama, Matthew Hunter reveals how this fantasy – which still holds us in its thrall – played out on the early modern stage.
Sparta's Second Attic War
The latest volume in Paul Rahe's expansive history of Sparta's response to the challenges posed to its grand strategy "Paul Rahe stands out as one of the world's leading scholars on the Peloponnesian War. His latest volume on Sparta's protracted struggle with Athens provides insight into enduring problems of politics and strategy in wartime, into why and how peoples fight, both in the ancient world and in our own troubled times."--John H. Maurer, Naval War College In a continuation of his multivolume series on ancient Sparta, Paul Rahe narrates the second stage in the six-decades-long, epic struggle between Sparta and Athens that first erupted some seventeen years after their joint victory i...
Conversations with Kenelm
In a celebratory moment of the Paradiso, Dante has Thomas go round the circle of sage spirits identifying each in turn in point of proper calling and confirming how it is that self is everywhere present to the other-than-self as a co-efficient of being in the endless and endlessly varied instantiation of that being. The image, at once perfectly Dantean and perfectly resplendent, underlies and informs these conversations of mine with Kenelm; for if in reading and rereading the cherished text, I have from time to time felt the need to enter a qualification, it is a matter here, as in the high consistory of paradise, of otherness as both contained and as authorized by sameness, as conditioned and set free by it for a life of its own. Never, in other words, is it a question in what follows of the stark alternativism of the sed contra, but instead a matter of formed friendship, of the kind of friendship which, conceived in love, makes for a sweet choreography of the spirit.
Racine’s Roman Tragedies
In two of his most celebrated plays, Britannicus and Bérénice, Racine depicts the tragedies of characters trapped by the ideals, desires, and cruelties of ancient Rome. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts.
