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Elizabeth Bowen
Immensely popular during her lifetime, the Ango-Irish writer Elizabeth Bowen (1899-1973) has since been treated as a peripheral figure on the literary map. If only in view of her prolific outputten novels, nearly eighty short stories, and a substantial body of non- fictionBowen is a noteworthy novelist. The radical quality of her work, however, renders her an exceptional one. Surfacing in both subject matter and style, her fictions harbor a subversive potential which has hitherto gone unnoticed. Using a wide range of critical theories-from semiotics to psychoanalysis, from narratology to deconstruction-this book presents a radical re-reading of a selection of Bowen's novels from a lesbian feminist perspective. Taking into account both cultural contexts and the author's non-fictional writings, the book's main focus is on configurations of gender and sexuality. Bowen's fiction constitutes an exploration of the unstable and destabilizing effects of sexuality in the interdependent processes of subjectivity and what she herself referred to as so-called reality.
A Violent Embrace
Instead of asking questions about the symbolic meaning or underlying "truth" of a work of art, renée c. hoogland is concerned with the actual "work" that it does in the world (whether intentionally or not). Why do we find ourselves in tears in front of an abstract painting? Why do some cartoons of the prophet Muhammad generate worldwide political outrage? What, in other words, is the compelling force of visual images, even—or especially—if they are nonfigurative, repulsive, or downright "ugly"? Rather than describing, analyzing, and interpreting artworks, hoogland approaches art as an event that obtains on the level of actualization, presenting "retellings" of specific artistic events in the light of recent interventions in aesthetic theory, and proposing to conceive of the aesthetic encounter as a potentially disruptive, if not violent, force field with material, political, and practical consequences.
Gender
"Examines war through the discipline of gender and sexuality studies. Chapters describe feminist interventions in war and violence, history's genealogy, present incarnations, and possibilities for the future in the context of gender and sexuality studies"--Provided by publisher.
Lesbian Configurations
This book forms an introduction to the rapidly growing field of lesbian studies. Steering a middle course between 'high theory' and detailed textual analysis, it provides both those new to the field and more experienced readers in lesbian/gay and feminist scholarship with original insights into the contradictory meanings of lesbian sexuality in Western culture. Exploring different cultural forms, including twentieth-century fiction and Hollywood cinema, Hoogland addresses topical theoretical questions concerning the shifting significance of lesbian sexuality as they arise from careful textual analyses. Among the examples discussed are Alice Walker's The Color Purple, Sylvia Plath's The Bell Jar, and the Hollywood thriller Basic Instinct. Guiding concerns are the interrelations between knowledge and desire, between sexuality and gender, and the violent operation of heterosexual ideologies. Adopting a psychoanalytical perspective, Hoogland concludes by critically interrogating feminism's ambivalent stakes in female same-sex desire. Lesbian Configurations is both a valuable introduction to an expanding field and an original contribution to current debates.
Lesbian Configurations
This book forms an introduction to the rapidly growing field of lesbian studies. Steering a middle course between 'high theory' and detailed textual analysis, it provides both those new to the field and more experienced readers in lesbian/gay and feminist scholarship with original insights into the contradictory meanings of lesbian sexuality in Western culture. Exploring different cultural forms, including twentieth-century fiction and Hollywood cinema, Hoogland addresses topical theoretical questions concerning the shifting significance of lesbian sexuality as they arise from careful textual analyses. Among the examples discussed are Alice Walker's The Color Purple, Sylvia Plath's The Bell Jar, and the Hollywood thriller Basic Instinct. Guiding concerns are the interrelations between knowledge and desire, between sexuality and gender, and the violent operation of heterosexual ideologies. Adopting a psychoanalytical perspective, Hoogland concludes by critically interrogating feminism's ambivalent stakes in female same-sex desire. Lesbian Configurations is both a valuable introduction to an expanding field and an original contribution to current debates.
Lesbian Configurations
What constitutes a narrative as "lesbian"? Hoogland provides original readings of such films as Basic Instinct and Bitter Moon, and novels such as The Bell Jar and Friends and Relations in order to trace the way lesbian identities are negotiated in Western culture.
Gender
This book serves as a primer to the study of gender, including women's, queer, and men's studies. By employing literature, film, art, history, and other disciplines, it identifies areas of critical thought and practice in gender and sexuality studies; provides an overview of central themes, current topics, and seminal debates; and offers resources for further research.
The New Woman
Emma Heaney's The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the evolution of the "trans feminine" as an allegorical figure from its origins in the late nineteenth century to contemporary Queer Theory.
Carson McCullers in the Twenty-First Century
The contributors to this volume use diverse critical techniques to identify how Carson McCullers’ writing engages with and critiques modern social structures and how her work resonates with a twenty-first century audience. The collection includes chapters about McCullers’ fiction, autobiographical writing, and dramatic works, and is groundbreaking because it includes the first detailed scholarly examination of new archival material donated to Columbus State University after the 2013 death of Dr. Mary Mercer, McCullers’ psychiatrist and friend, including transcripts of the psychiatric sessions that took place between McCullers and Mercer in 1958. Further, the collection covers the scope of McCullers’ canon of work, such as The Heart Is a Lonely Hunter (1940), The Member of the Wedding (1946), and Ballad of the Sad Café (1943), through lenses that are of growing interest in contemporary literary studies, including comparative transatlantic readings, queer theory, disability studies, and critical animal theory, among others.
