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This much-requested third book in the Angie Wonders series, Math is Everywhere! will inspire your daughter's love of math. Your daughter will be able to follow Angie as she realizes that math and numbers can be found all around her. Your daughter will practice counting clouds, books, and even steps as you follow Angie in her day. Math is Everywhere! is a colorfully illustrated rhyming book with a wonderful storyline and fun math activities for your elementary-aged child to complete. Inspire your child today with Angie Wonders: Math is Everywhere! and build upon her love of math with Angie Wonders.
Amateur film and amateur media practices have attracted increasing interest in recent decades in the context of the "visual turn". Questions of agency, participatory and political/militant film practices, and of representations of "self" and "other" are of interest as well as the institutions and networks of amateur productions. This special issue of "zeitgeschichte" contributes to this field of research by examining international and transnational developments of amateur films in the period after the Second World War. The collected contributions analyze national specifics and regional shapings of practices as well as cultural constructions in amateur film and video, they trace transnational entanglements of amateur media and tackle cross-border amateur filmmaking and internationally and globally shared discursive references and uses of metaphors in video activism. The authors elaborate parallels to organizational structures in amateur film practices in specific sociopolitical and cultural contexts and discuss aspects of memory and the appropriation of hegemonic visual cultures in individual film practices.
The Writing Disorder presents The Best Fiction and Nonfiction work of 2012. This edition includes the best work we published during the year. Great new fiction and nonfiction from some up-and-coming writers, as well as established ones. There's something here for everyone.
This volume gathers together reflections on racism and nationalism, empowerment and futurity. It focuses on collective amnesia in regards to traumatic events of the European past and the ways in which memory and history are presented for the future. The essays cover and oppose the seemingly disparate genocides committed during Belgian colonialism, Austrian antisemitism and turbo-nationalism in “Republika Srpska” (Bosnia and Herzegovina), implying by no means a homogenization of the experiences. What connects these historical situations is the fact that, despite available documents, to this very day, nation-states are built on practices of oblivion regarding their past. This volume is indispensable for theoreticians, philosophers, and historians, as well as the general public. It expresses the demand to critically question our inherited knowledge and to rethink the past for a new future of conviviality.
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In this Elena Jarvis mystery, a student at Herbert Hobart University has been murdered. Unfortunately for investigators, Graham Fullerton had made a lot of enemies in his short life--mostly female ones. Graham's love-them-and-leave-them attitude made him the most hated man on campus--and it's up to Dr. Jarvis to sort out the scores of jilted lovers. But nothing is ever that simple for Elena Jarvis: someone is after her too?
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This Letts family begins with William Letts who came to America from England in 1665. He landed in Elizabethtown, New Jersey. He married Elizabeth Laud in 1667. They had two children and Elizabeth died about 1685/6. He then married his second wife Ann and had two more children. Descendants are living in New Jersey, Virginia, Texas and elsewhere in the United States. Includes families of Platt, Suttle, Fisher and others marrying into the family.
Vol. 1- includes section "Biblia, devoted to the interests of the Friends of the Princeton Library," v. 11-
»Der Herr Karl«, der 1961 von Helmut Qualtinger gespielte opportunistische Mitläufer, stellt bis heute sicherlich die bekannteste televisuelle Auseinandersetzung mit dem Nationalsozialismus in Österreich dar. Dominierte im übrigen Fernsehen ein Schweigen über die Nazi-Vergangenheit? Oder gab es Versuche, vorherrschende Narrative aufzubrechen? Renée Winters Studie beschäftigt sich erstmals mit Geschichtspolitiken im frühen österreichischen Fernsehen und liefert damit nicht nur einen medientheoretischen Blick auf die Ursprünge des öffentlich-rechtlichen Geschichtsfernsehens, sondern eröffnet auch neue Einblicke in österreichische Vergangenheitspolitiken.