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Microscopes swivel and flowers spread as the poet wrestles with a spectrum of growing pains. These coming-of-age poems draw inspiration equally from science textbooks and fairy tales. As the final poem prays, "I will see the moon and morning and know". Branches explores what it means to live to the next day, and the next, before we fully understand what we are surviving.
Aaron Coleman's St. Trigger, winner of the 2015 Button Poetry Prize, investigates race and gender in contemporary America through a constantly shifting series of structures, forming its own boundaries in one poem only to break and reshape them in the next. Narrative shatters into pure lyric and reforms in an instant. Coleman's poems define themselves -- sharp and blazing and wholly new.
Abrāo's work has been described by The Outline as "an existential funhouse of familiar thoughts" that "publicly grapples with pillars of its own existence within the influencer economy." Alongside The Outline, her work has been featured in publications such as The Atlantic, Dazed, The Harvard Crimson, and The Face, among others. In response to Abrāo's work, Dazed Magazine wrote, "Gabi debunks the myth that wellness is the preserve of the privileged, and in doing so hands it back to the masses," and Notes on Shapeshifting is a reminder that we are agents of the change that we seek. Gabi Abrāo's Notes on Shapeshifting is an ode to existing in physical form, fully aware of the changing energy that flows through every aspect of it. As Abrāo writes, "tapping into the ether body to take a break from the demands of the earth body, / making peace with ephemerality, / lightness, / shapeshifting". Throughout this collection, you are invited to travel through various states; pure infatuation to heartbreak, confidence to defeat, from a skepticism for living to a full-on trust in it. And Notes on Shapeshifting yearns to soothe and arouse along the way.
In this debut collection, Isabella Preisz explores what it means to exist in simultaneity. Across these visceral poems, Preisz recreates moments of adolescence, sexual exploration, shame, and disassociation to examine what it means to occupy the body after violation. She fragments language to display healing as a conglomerate experience of past, present, and future remembrance. Catching language on the boundary of formation, she exposes the process of recovery as fluid as egg yolk -- gooey, runny, and easily ruptured.
Between 1400 and 1650 Scotland underwent a series of drastic changes, in court, culture, and religion. This International Companion traces the impact of these historical transformations on Scotland's literatures, in English, Gaelic, Latin and Scots, and provides a comprehensive overview to the major cultural developments of this turbulent age.
Sweet, Young, & Worried is the highly anticipated sophomore collection by author Blythe Baird Following her widely successful debut, Baird wastes no time as she reels in her reader with breathtaking imagery and punching narratives. With expert precision and vulnerability, Baird guides us on an expedition embracing queerness, love, loss, mental health, feminism & healing along the way.
Tesoro is a story of family, survival, and the formative power of the women in Salgado's life. It is a telling of the balance between love and perseverance. Tesoro is an unearthing of the sacred connections that make a person whole; the treasure we forever keep with us when we learn from those we love, when we mourn those we've lost, and what grows in between.
Please Come Off-Book queers the theatrical canon we all grew up with. Kantor critiques the treatment of queer figures and imagines a braver and bolder future that allows queer voices the agency over their own stories. Drawing upon elements of the Aristotelian dramatic structure and the Hero's Journey, Please Come Off-Book is both a love letter to and a scathing critique of American culture and the lenses we choose to see ourselves through.
Clatter is a chapbook by Neil Hilborn, produced in the aftermath of his severe concussion in a bicycle accident. Written in museums, ex-girlfriends’ kitchens, and Mexico, the chapbook showcases Hilborn’s breadth of style as well as his humor, and represents a unique glimpse into the writer's early work.
A Study of Hands is an attempt to remove male intimacy from its sheath. It is an incision into Bodney's last relationship, as well as the ongoing one he has with his father. It is the peeling of layers from his own experiences of love and abuse with the men in his life and how that translates into the ways he communicates vulnerability. It is a reconstruction of safety while navigating the revolution that is continuing to define Bodney, what it means to survive, and to love all at once.