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This book analyses the topic of protecting traditional cultural expressions (TCEs) in Latin America. It questions classic legal approaches and involves the interface of anthropology and law. The study analyses regional, national and local particularities of law on paper and law in reality. It includes personal fieldwork research in selected countries and puts light on the political, socio-economic and environmental dimension of the topic. Based upon these insights, the study gives recommendations for a more enhanced, interdisciplinary understanding and protection of TCEs. Latin America is (still) rich of cultural traditions and bio- and sociodiversity. This region is the cradle of the intern...
The Records of the Diplomatic Conference on Certain Copyright and Neighboring Rights Questions held in Geneva, from December 2 to 20, 1996, contains documents relating to that Conference which were issued before, during and after the Conference.
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The Records of the Diplomatic Conference on the Protection of Audiovisual Performances held in Geneva, from December 7 to 20, 2000, contain documents relating to that Conference, which were issued before, during and after the Conference.
Film piracy began almost immediately after the birth of the film industry. Initially it was a within-the-industry phenomenon as studios stole from each other. As the industry grew and more money was involved, outsiders became more interested in piracy. Stolen material made its way offshore since detection was less likely. Hollywood's major film studios vigorously pursued pirates and had the situation fairly well under control by the middle 1970s--not eliminated but reduced to a low level--until videocassettes arrived. This work begins with a discussion of some of the earliest cases of piracy in vaudeville. It then considers how the problem continued to grow exacerbated by the lack of legal r...
Indice: LOS GRANDES PRINCIPIOS DEL DERECHO DE AUTOR Y LOS DERECHOS AFINES O CONEXOS A LA LUZ DE LA JURISPRUDENCIA COMPARADA Y COMENTARIOS I. Introducción II. La naturaleza y la estructura del derecho de autor III. Las «zonas fronterizas entre el derecho de autor y los derechos de propiedad industrial IV. El derecho de autor y su interés social, el carácter tutelar del derecho y la responsabilidad del Estado V. Los sujetos del derecho de autor VI. La obra como objeto del derecho de autor VII. Algunos pronunciamientos en relación a determinadas categorías de obras VIII. El derecho moral IX. El derecho patrimonial X. Los límites al derecho de explotación XI. La transmisión del derecho ...