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Vols. for 1837-52 include the Companion to the Almanac, or Year-book of general information.
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Gene Stratton-Porter presents an abridged vision of surrender and redemption in The White Flag, a poignant exploration of the human spirit. The White Flag: The Abridged Version of The White Flag by Gene Stratton-Porter: Immerse yourself in the abridged version of The White Flag by the acclaimed author Gene Stratton-Porter. This novel weaves a tale of love, sacrifice, and the enduring power of the human spirit. Stratton-Porter's poignant narrative explores the complexities of relationships and the choices that define our lives. Why This Book? The White Flag beckons readers into a world of emotional depth and moral dilemmas, where the choices we make reverberate through our lives. Gene Stratton-Porter's abridged version offers a compelling exploration of love and sacrifice, creating a story that resonates with the universal themes of the human experience. Gene Stratton-Porter, a beloved author of the early 20th century, invites readers to surrender to the emotional journey of The White Flag, where the complexities of human relationships unfold in a tapestry of love and redemption.
This carefully crafted ebook collection is formatted for your eReader with a functional and detailed table of contents: Freckles A Girl of the Limberlost Laddie The Harvester Michael O'Halloran A Daughter of the Land At the Foot of the Rainbow Her Father's Daughter The White Flag The Song of the Cardinal The Fire Bird
This edition includes: Freckles A Girl of the Limberlost Laddie The Harvester Michael O'Halloran A Daughter of the Land At the Foot of the Rainbow Her Father's Daughter The White Flag The Song of the Cardinal The Fire Bird
Tennessee Williams' characters set the stage for their own dramas. Blanche DuBois (A Streetcar Named Desire), arrived at her sister's apartment with an entire trunk of costumes and props. Amanda Wingfield (The Glass Menagerie) directed her son on how to eat and tries to make her daughter act like a Southern Belle. This book argues for the persistence of one metatheatrical strategy running throughout Williams' entire oeuvre: each play stages the process through which it came into being--and this process consists of a variation on repetition combined with transformation. Each chapter takes a detailed reading of one play and its variation on repetition and transformation. Specific topics include reproduction in Sweet Bird of Youth (1959), mediation in Something Cloudy, Something Clear (1981), and how the playwright frequently recycled previous works of art, including his own.