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Richard A. Etlin demonstrates how the conceptual basis of the modern house and the physical layout of the modern city emerged from debates among theoretically innovative French architects of the eighteenth century. Examining a broad range of topics from architecture and urbanism to gardening and funerary monuments, he reconsiders eighteenth-century French architecture with regard to the ways in which it was informed by symbolic space. This book provides an accessible introduction to a century of architecture that transformed the classical forms of the Renaissance and Baroque periods into building types still familiar today.
Art, Culture, and Media Under the Third Reich explores the ways in which the Nazis used art and media to portray their country as the champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda, this volume contributes to Holocaust studies by revealing how multiple domains of cultural activity served to conceptually dehumanize Jews and other groups. Contributors address nearly every facet of the arts and mass media under the Third Reich—efforts to define degenerate music and art; the promotion of race hatred through film and public assemblies; views of the racially ideal garden and landscape; race as portrayed in popular literatu...
In the eighteenth century Paris underwent a remarkable transformation in Western attitudes about life and death. The Architecture of Death traces this change through six pivotal decades, and analyzes the intellectual and social concerns that led to the establishment of a new kind of urban institution - the municipal cemetery. Drawing heavily on new materials and archival sources, supported by nearly 270 plans, photographs, and drawings, the book is not only a definitive work on the design of cemeteries but is also the cultural history of an age.
Winner, category of Architecture and Urban Studies in the 1991 Professional/Scholarly Publishing Annual Awards Competition presented by the Association of American Publishers, Inc. and Winner, Alice Davis Hitchcock Award, Society of Architectural Historians. Richard Etlin's sweeping, generously illustrated study explores the changing idea of modernism in Italian architecture over the five crucial decades that saw the birth and crystallization of modern architecture. Systematically treating the major architects and movements of the period - such as Raimondo D'Aronoco and Art Nouveau, Antonio Sant'Elia and Futurism, Marcello Piacentini and the modern vernacular, Giovanni Muzio and the Novecent...
In Defense of Humanism: Value in the Arts and Letters is a response to the critique of traditional humanism. In simple, clear language, Richard Etlin articulates the nature of aesthetic experience through analysis of works in a wide variety of media, including painting, sculpture, architecture, drawing, literature, and dance. Establishing categories for determining value in the arts and letters, Etlin also explores the operations of the creative process in a discussion of artistic genius, reaffirming the transcendent moral and enduring qualities in great works of art.
Architectural historian Etlin defines the main principles of progressive 19th-century architectural thought: the architectural system, the picturesque, philosophical eclecticism, and the spirit of the times. These principles are explored in detail in relation to 19th- and 20th-century architecture, and also to demonstrate their importance to the work of Wright and Le Corbusier. Illustrated with drawings and photos. Distributed by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.
Provides an overview of a classical monument interjected with the discoveries of modern scholarship.
The Cambridge Guide to the Architecture of Christianity offers a wide-ranging overview of one of the most important genres of Western architecture, from its origins in the Early Christian era to the present day. Including 103 essays, specially commissioned for this volume and written by an international team of scholars, the volume examines a range of themes and issues, including religious building types, siting, regional traditions, ornament, and structure. It also explores how designers and builders responded to the spiritual needs and cult practices of Christianity as they developed and evolved over the centuries. The volume is richly illustrated with 592 halftones and 70 color plates. Additional images, nearly all in color are available online and are keyed into the text. The most comprehensive and up-to date reference work on this topic, The Cambridge Guide to the Architecture of Christianity will serve as a primary reference resource for scholars, practitioners, and students.