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In Where Cultures Meet, editors Weber and Rausch have collected twenty essays that explore how the frontier experience has helped create Latin American national identities and institutions. Using 'frontier' to mean more than 'border,' Weber and Rausch regard frontiers as the geographic zones of interaction between distinct cultures. Each essay in the volume illuminates the recipro-cal influences of the 'pioneer' culture and the 'frontier' culture, as they contend with each other and their physical environment. The transformative power of frontiers gives them special interest for historians and anthropologists. Delving into the frontier experience below the Rio Grande, Where Cultures Meet is an important collection for anyone seeking to understand fully Latin American history and culture.
This historical monograph examines the decline of the hacienda estates within Jalisco, Mexico, during the early decades of the twentieth century. The book also explores the impact of the land reform program of President Lázaro Cárdenas in transforming the agrarian economic structure of the region. This study contributes to an ongoing lively debate about the hacienda system and the meaning of Cárdenas’s reforms. This is an important work because it explores the evolution of a regional socioeconomic system that promoted urban industrial growth at the expense of the rural poor. The model of regional development described is applicable to other areas of Mexico and underdeveloped Third World nations with extensive peasant populations. The research for this investigation has wider implications regarding issues of global hunger and malnutrition.
"The Forging of the Cosmic Race" challenges the widely held notion that Mexico's colonial period is the source of many of that country's ills. The authors contend that New Spain was neither feudal nor pre-capitalists as some Neo-Marxist authors have argued. Instead they advance two central themes: that only in New Spain did a true mestizo society emerge, integrating Indians, Europeans, Africans, and Asians into a unique cultural mix; and that colonial Mexico forged a complex, balanced, and integrated economy that transformed the area into the most important and dynamic part of the Spanish empire. The revisionist view is based on a careful examination of all the recent research done on coloni...
Five historians uncover the ties between people's daily routines and the all-encompassing framework of their lives. They trace the processes of social construction in Western Europe, the United States, Latin America, Africa, and China, discussing both the historical similarities and the ways in which individual history has shaped each area's development. They stress the need for a social history that connects individuals to major ideological, political, and economic transformations.
Honorable Mention, Bolton Memorial Prize, Conference on Latin American History A government monopoly provides an excellent case study of state-society relationships. This is especially true of the tobacco monopoly in colonial Mexico, whose revenues in the later half of the eighteenth century were second only to the silver tithe as the most valuable source of government income. This comprehensive study of the tobacco monopoly illuminates many of the most important themes of eighteenth-century Mexican social and economic history, from issues of economic growth and the supply of agricultural credit to rural relations, labor markets, urban protest and urban workers, class formation, work discipl...
50 year since founding the University of Texas, they have witnessed major evolutions in the world of publishing.
Studies in Spanish American regional history have, as yet, made little attempt to incorporate the struggles for independence within the context of provincial society and politics viewed over the broader period that spans the late colonial and early national experience of Latin America. This book attempts a new perspective: it emphasises the provincial milieu and popular participation in its varied forms, often ambiguous and contradictory. The central aim is to examine social conflicts, chiefly in the Mexican provinces of Puebla, Guadalajara, Michoacán, and Guanajuato from the middle of the eighteenth century, and to assess their relationship to the widespread insurgency of the second decade of the nineteenth century.
The Birth of Modern Mexico, 1780-1824 investigates the roots of the Mexican Independence era from a variety of perspectives. The essays in this volume link the pre-1810 late Bourbon period to the War of Independence (1810-1821), analyze many crucial aspects of the decade of conflict, and illustrate the continuities with the first years of the independent Mexican nation. They all contribute to a nuanced view of the period: the different conceptions of legitimacy between the popular masses and the elite, the skill and importance of pro-Spanish propaganda, the process of organizing conspiracies, the survival and thriving of a mercantile family, the causes of failing mines, the role of religious thought in the supposed secular state, and differing conceptions of authority by the legislature and the executive. One of the few readable, concise books on the topic of independence, this volume probes the birth of modern Mexico in a crisply written style that is sure to appeal to historians and students of Mexican history.
Since the 1950s historians of the colonial era in North, South and Central America have extended the frontiers of basic general knowledge enormously; this rich historiographical tradition has generated robust methodological discussions about how to study the European encounter in the light of the experience of the indigenous peoples of the Americas. By bringing together major research reviews by a series of leading scholars, this volume makes it possible to compare directly approaches relating to colonial North America, Brazil, the Spanish borderlands, and the Caribbean.
Since the Mexican Revolution of 1910-1920, Mexico's rebellious peasant has become a subject not only of history but of literature, film, and paintings. With his sombrero, his machete, and his rifle, he marches or rides through countless Hollywood or Mexican films, killing brutal overseers, hacienda owners, corrupt officials, and federal soldiers. Some of Mexico's greatest painters, such as Diego Rivera, have portrayed him as one of the motive forces of Mexican history. Was this in fact the case? Or are we dealing with a legend forged in the aftermath of the Revolution and applied to the Revolution itself and to earlier periods of Mexican history? This is one of the main questions discussed b...