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Giovanni Gabrieli and His Contemporaries
For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.
Musica Franca
Twenty-four essays attest to D'Accone's wide interests and influence on several generations of musicologists. The first three sections-- on the Florentine Renaissance, archival studies, and madrigal and carnival song--deal with subjects central to his research. Subsequent contributions deal with various aspects of Italian opera, performance practice, manuscript studies, and music and image. Annotation copyrighted by Book News, Inc., Portland, OR
Liber Amicorum John Steele
John Steele was educated at Victoria University of Wellington, and at Cambridge University, where he was a student of Thurston Dart. Steele was the first New Zealander to become a professional musicologist, and the first to achieve international repute, largely for his work on Italian music of the late sixteenth and early seventeenth centuries. This volume has been undertaken by the New Zealand Musicological Society as a tribute to its most distinguished member on the occasion of his retirement from Otago University. The main focus of the collection is the music of the sixteenth to eighteenth centuries.
Giovanni Gabrieli
"Knowledge and debate in the field of sixteenth- and early seventeenth-century Venetian music has greatly benefitted in recent decades from studies of major institutions, composers, repertories, and sources, as also from investigations of the quantitative aspects of musical life in what was one of the largest, richest, and most commercially oriented cities on the Italian peninsula: the Venetian musical phenomenon includes, on the one hand, regular or sporadic musical activities in the city's many churches and private palaces (activities which provided significant earnings for large numbers of musicians, whether or not salaried members of the ducal cappella) and, on the other, the auxiliary t...
Chatham
At the end of the nineteenth century, in the newly created city of Chatham, the possibilities seemed endless and almost utopian. Gone were the ramshackle wooden shacks that dominated its early days, and in their place were stately homes made of brick and stone. Taverns, mills, mercantile stores, mechanics' shops, shipbuilders, and iron foundries blossomed and flourished. Tall and small ships crowded the banks of the bustling Thames River, which had become Chatham's lifeline to the world. Such is the Chatham presented in this volume, which contains nearly two hundred striking images gleaned from personal and public collections. Many of these items, some published here for the first time, serve to present a stunning and fascinating commemorative pictorial album of Chatham's rich history. They will encourage readers to take a stroll on Tecumseh Park's lovers' lane, to board a grand steamer for an exciting river excursion, to prowl a King Street teeming with bicycles, horses, and carts, and to take a ride on those strange new horseless carriages.
