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Richard Prince
Vancouver-based Richard E. Prince works in three dimensions, espousing a “bricoleur” aesthetic and working method. This publication features a group of new works that are three-dimensional pieces, with some on wheels. Often his works have narrative aspects, and moving parts, and seem light-hearted in tone. Upon closer looking, however, darker and deeper themes may emerge. Prince seems to ponder metaphysics and the what-makes-things-tick aspect of life on our planet. Richard E. Prince was born in British Columbia and has exhibited across the country since his first solo exhibition at the Vancouver Art Gallery in 1972.
Richard Prince
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Seaboard Air Line Railway
A thorough history of the Seaboard and its various predecessors and subsidiary lines.
Aurora Borealis
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8 Women
Tiré du site Internet http://exilebooks.com: "Known for her stunning, emotionally charged images of androgynous youth and for her documentary-style portrayals of teen boys in Germany - Collier is one of the few fine art photographers that has seamlessly interpreted her vision into fashion magazine spreads and ad campaigns. The title 8 1/2 Women plays on a combination of Ozen's "8 Women", Fellini's "8 1/2", and Altman's "3 Women", and utilizes Collier's own fashion photography, outtakes, appropriations, drawings, notes and other reference materials. Printed in a xerox style undulating between black and white and color, this mezmerizing artist's book is filled with images of desire and induces a conversation about the female gaze into a debate about female representation."
Louisville & Nashville Steam Locomotives, 1968 Revised Edition
Louisville & Nashville Steam Locomotives Revised 1968 Edition Richard E. Prince A revised new edition of an encyclopedic study. "For over one hundred years the steam locomotives provided the principal motive power on the Louisville & Nashville RR. During this period over 2000 different steam engines were owned by the Old Reliable." Thus begins Richard E. Princes encyclopedic study of the Louisville & Nashville's Steam Locomotives. First published in 1959 and revised in 1968, this is the crucial book for the Louisville and Nashville Locomotive's many steam fans. With hundreds of vintage photographs, detailed rosters, and schematic drawings it is an invaluable resource for railroad buffs and h...
Women
Perfectly beautiful yet strangely faceless, hundreds of interchangeable fashion models and bare-breasted biker chicks find themselves reincarnated in the artwork of Richard Prince. Prince recycles these American (male) pop culture fantasies from found materials, most often advertising images and magazine layouts which he rephotographs, repaints or overpaints, arranges in collages, or breaks down into fragments. Images of women representing various spheres of trivial culture, marketing iconography like the Marlboro Man, and figures borrowed from chauvinist cartoons are central motifs in his art. Without comment, Prince cites and duplicates them in supposedly defunct role clichas that remain stubbornly present even today. Women goes even further, presenting a diverse yet decidedly thematic selection of appropriations chosen by the artist himself and ranging across his body of work. From bad sexist jokes to the covers of books written by female authors, from rockin' out naked biker chicks to Kate Moss, from a rephotographed Untitled Film Still to penny-novel nurses--these are Richard Prince's Women.
Richard Prince
A study of a work from Richard Prince's series of Untitled (couples) that considers the long history of the image and Prince as a pioneer of the appropriated image.
