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Sword of Rome: The Complete Campaigns
The best-selling Sword of Rome novellas are collected together for the first time in one epic collection. The Sword of Rome series of novellas follow Julius Caesar and his centurion Lucius Oppius during their campaigns in Britain, Gaul and the Civil War. The stories are a blend of action, intrigue and Ancient History. 'Sword of Rome: The Complete Campaigns' includes: 'Sword of Rome: Standard Bearer'. Britain, 55 BC. Julius Caesar's invasion of the wild and mineral-rich land is becalmed, a stalemate exists between the forces of Rome and Britain. But the standard bearer of the Tenth Legion, Lucius Oppius, is about to display a depth of courage that will change the course of the invasion. 'Swor...
Plays for The Public
“There’s an irresistible joy to reading these plays…examining them at leisure without the urgent propulsive forward movement of the theater, reveals beauties and resonances uniquely literary.” —Oskar Eustis, Artistic Director, The Public Theater, from his foreword Plays for The Public includes: The Gods Are Pounding My Head! (AKA Lumberjack Messiah) “Richard Foreman is the ultimate theater auteur and mind-roiling warlock of avant-garde drama… Gods is an extravaganza of tightly orchestrated hallucinogenic visual effects, bruising slapstick and intense, cryptic lines… It is majestically mad and funny.” —New York Times Idiot Savant “Vintage Foreman: ravishing, perplexing, ...
Richard Foreman
Richard Foreman has been creating avant-garde theatre in New York since founding his Ontological Hysteric company in 1968. Richard Foreman: An American (Partly) in Paris argues that Foreman can productively be viewed as a (partly) European artist, whose thinking and theatre-making have been radically shaped by contact with Europe.
Richard Foreman
Richard Foreman has been writing, directing and designing avant-garde theatre in New York since he first founded his Ontological-Hysteric company there in 1968. In all that time, few directors have taken up the challenge of staging his problematic, rewarding texts, and Foreman's work remains under-explored by other practitioners. Richard Foreman: An American (Partly) in Paris argues that Foreman can productively be viewed as a (partly) European artist, whose thinking and theatre-making have been radically shaped by contact with Europe. Through a detailed account of his European productions, interviews with Foreman himself, a set of practical strategies for staging the plays and the full text of Foreman's previously unpublished play Georges Bataille’s Bathrobe (1983), Neal Swettenham introduces the director’s work to a new generation of readers and theatre-makers.
Richard Foreman
His work for the New York Shakespeare Festival, the Guthrie Theatre, the Paris Opera, and the Brooklyn Academy of Music has brought his unique vision to mainstream audiences with innovative productions of the classics and the works of other playwrights."--BOOK JACKET. "This new volume in PAJ's Art + Performance series is the first critical edition devoted to Foreman's work."--BOOK JACKET.
The Manifestos and Essays
"Richard Foreman reinvented dialogue, action, sound, stage design, and philosophical groundwork as no other stage artist in our history."—PEN/Laura Pels Master American Dramatist Award citation These writings, collected from two earlier books now long out-of-print along with two recent interviews, provide a fascinating window into Richard Foreman's singular mind and creative process. Also included is The Gods Are Pounding My Head! (AKA Lumberjack Messiah), his last play before transitioning to more multi-media work. Richard Foreman has written, directed, and designed more than fifty of his own plays, both internationally and at his Ontological-Hysteric Theater, which he founded in 1968. He has received many OBIE awards, an NEA Lifetime Achievement Award, and a MacArthur "Genius" Fellowship.
Unbalancing Acts
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Bad Boy Nietzsche and Other Plays
Richard Foreman has been at the leading edge of the theatrical avant-garde in the United States and throughout the world since 1968. His legendary productions, written and directed by him at his Ontological-Hysteric Theatre have influenced two generations of theater artists. This new anthology collects plays written and performed over six years, including Now That Communism Is Dead My Life Feels Empty, Maria del Bosco, Panic (How to Be Happy ), Bad Boy Nietzsche , Bad Behavior and King Cowboy Rufus Rules the Universe. Richard Foreman founded the Ontological-Hysteric Theatre in 1968. The theater is currently in the historic St. Marks Church, where he rehearses and produces one of his new plays each year, each play performing for 16 weeks every winter.
Paradise Hotel
This brand new collection of plays reaffirms Richard Foreman's status as "the reigning philosopher vaudvillian of the New York avant-garde". In addition to six new plays -- "Paradise Hotel", "The Universe", "Permanent Brain Damage", "Risk It! Risk It!", "Pearls for Pigs" and "Benita Canova" (the last two of which won Obie awards for Best Play -- this collection also boasts two essays. "On My Plays" and "Rules", which elaborate on Foreman's singular approach to the art of playwrighting. Filled with Foreman's signature wit and vision, Paradise Hotel is the work a true genius of American theater.
Plays and Manifestos
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