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The appeal of the sublime in the minds of British critics and poets during the eighteenth century holds a unique position in the history of aesthetics. At no other time has aesthetics displayed a similar interest in the experience of the sublime. This book explores the impulses behind the fascination for that experience. The Greek treatise Peri Hupsous by Longinus constitutes the earliest source for the experience of the sublime, and as such it shaped much of British eighteenth-century criticism. But the attraction of the sublime received stimulus from other sources as well. In the effort to expand the context of the sublime, the author considers the incentives provided not only by Longinus, but also by the criticism of intellectual literature during the second half of the seventeenth century; a body of criticism that was not primarily concerned with the sublime, but which nevertheless served as an important link to its subsequent appeal.
This is a revisionist study of seventeenth- and eighteenth-century satires on science with an emphasis on the writings of Jonathan Swift and, to a lesser degree, Samuel Butler and other satirists. To say, as some literary commentators do, that the satirists attacked only pseudo-scientists who failed to employ the empirical method properly is to beg a crucial question: how could the satirists possibly have distinguished the genuine scientist from the crank? By a failsafe set of Baconian principles perhaps? No, the matter is more complicated. I read the satiric literature on early modern science against a totally different understanding of what science is, how it came into being, and how it de...
An examination of how debates originating in the Quarrel of the Ancients and the Moderns informed a broader exploration of the relation between past and present in various realms of eighteenth-century thought.
The book is the first corpus-based study giving a comprehensive overview of English items which have been used as adverbial connectors ('conjuncts', 'linking adverbials'), from Old English to Present-Day English. The author analyses different characteristics of the make-up, functions and use of connectives, and considers morphological and syntactic factors as well as pragmatic, textlinguistic and socio-cultural aspects.
'At the very heart of God is the passionate disposition to be in loving fellowship with you... From the human side of this equation it is meditative prayer that ushers us into this divine-human fellowship.' Richard Foster, bestselling author of CELEBRATION OF DISCIPLINE and founder of Renovaré, writes these words as one who has experienced what they describe. This new book gently guides you along the path of meditative prayer, so that you too can know a deeper fellowship with God. Weaving together quotes and stories from the lives of mothers and fathers of the faith as well as powerful encounters with God from his own life, Foster describes the riches of quieting your mind and heart in order to listen to and obey God more closely. Along the way, at his clearest, most practical best, he also provides the biblical teaching and step-by-step help you need to begin this prayer practice for yourself.
A brilliant translation of this classic account of the art of memory and the logic of linkage and combination, the two traditions deriving from the Classical world and the late medieval period, and becoming intertwined in the 16th Century. From this intertwining emerged a new tradition, a grandiose project for an 'alphabet of the world' or 'Clavis Universalis'. Translated with an Introduction by Stephen Clucas.
This text describes how 18th-century awareness of the interplay between fixity and instability in printed texts demonstrates the role print played in developing Samuel Johnson's awareness of print culture's impact on human beings ethically, politically, and aesthetically.