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Destination Hollywood
During the first part of the twentieth century, Hollywood experienced an influx of European filmmakers seeking new lives in America. With them came unique perspectives and styles from their home countries that forever affected American film production. Well-known talents like Charlie Chaplin, Billy Wilder, and Alfred Hitchcock all made America their filmmaking base, as did other less known but equally influential filmmakers. This is the complete guide to directors, screenwriters, artistic directors, cinematographers, and composers of European birth who made at least one film in the United States. The book is arranged by country, and each chapter begins with that country's cinema history. Each filmmaker from that country is then given a separate entry, including biographical and professional highlights, and synopses and analyses of their better-known films. Photographs from films that featured European talent are included. An index of names and titles allows for easy reference, and a complete bibliography is also included.
Punishment in Popular Culture
Resource added for the Criminal Justice – Law Enforcement 105046 and Professional Studies 105045 programs.
Challenge to Mars
The fourteen essays in Part I look at the interwar years, which gave rise to an array of pacifist organizations, both religious and humanist, throughout Europe and North America. Twelve essays in Part II deal with the brutal challenge to pacifist ideals posed by the Second World War and include a look at the fate of those courageous Germans who refused to fight for Hitler.
Hollywood Goes Oriental
An in-depth look at the portrayal of Asian characters by non-Asian actors in classical Hollywood film. In the "classical" Hollywood studio era of the 1930s to the 1960s, many iconic Asian roles were filled by non-Asian actors and some—like Fu Manchu or Charlie Chan—are still familiar today. In Hollywood Goes Oriental: CaucAsian Performance in American Film, Karla Rae Fuller tracks specific cosmetic devices, physical gestures, dramatic cues, and narrative conventions to argue that representations of Oriental identity by Caucasian actors in the studio era offer an archetypal standard. Through this standard, Fuller shed light on the artificial foundations of Hollywood's depictions of race a...
Making Movies Black
This is the second volume of Thomas Cripps's definitive history of African-Americans in Hollywood. It covers the period from World War II through the civil rights movement of the 1960s, examining this period through the prism of popular culture. Making Movies Black shows how movies anticipated and helped form America's changing ideas about race. Cripps contends that from the liberal rhetoric of the war years--marked as it was by the propaganda catchwords brotherhood and tolerance--came movies that defined a new African-American presence both in film and in American society at large. He argues that the war years, more than any previous era, gave African-American activists access to centers of...
Hollywood-- Se Habla Español
Preface / Ricardo Montalbán -- Silence is golden: The beginning of the motion picture industry and an international visual language is created -- The Latin lover: the creation of an image -- It talks!: a little known chapter on the success of Hollywood Spanish-language films -- Alla en el rancho grande: the era of the "shoot-em-ups" westerns: the film is only as good as its villain is bad -- The Hispanic Hollywood hall of fame: brilliant stars who shot across the silver screen burning an everlasting image in our hearts -- Hollywood today and tomorrow: The "gold rush" continues
Official Congressional Directory
Includes maps of the U.S. Congressional districts.
A History of American Movies
In A History of American Movies: A Film-by-Film Look at the Art, Craft and Business of Cinema, Paul Monaco provides a survey of the narrative feature film from the 1920s to the present. The book focuses on 170 of the most highly regarded and recognized feature films selected by the Hollywood establishment: each Oscar winner for Best Picture, as well as those voted the greatest by members of the American Film Institute. By focusing on a select group of films that represent the epitome of these collaborations, Monaco provides an essential history of one of the modern world's most complex and successful cultural institutions: Hollywood. Divided into three sections, "Classic Hollywood, 1927-1948," "Hollywood In Transition, 1949-1974," and "The New Hollywood, 1975 To The Present," Monaco examines some of the most memorable works in cinematic history, including The General, Wings, Bringing Up Baby, Gone with the Wind, Citizen Kane, Casablanca, On the Waterfront, The Searchers, Psycho, West Side Story, The Godfat
Selling Hollywood to the World
This book investigates European efforts to overcome the American film industry's international pre-eminence.
Eleanor Parker
This is the first book on enduring Hollywood star Eleanor Parker, long underrated despite three best actress Academy Award nominations (Caged, 1950; Detective Story, 1951; Interrupted Melody, 1955). Parker was a beauty as well as a versatile actress, and her achievements approach those of more publicized colleagues Bette Davis and Katharine Hepburn. With Parker's blessing and her son Paul Clemens' cooperation, Doug McClelland has written one of the most thorough examinations of a film star's career. The book is valuable to librarians, academies, and film enthusiasts for its extensive documentation and analyses of all of Parker's work, for the bibliographies of her coverage in books and perio...
