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The star of the cult classic Withnail and I offers “a refreshing combination of comedy, confession, and coruscation” in this memoir of the movie business (Kirkus Reviews). Richard E. Grant’s acting career has included memorable roles in some of Hollywood’s most critically acclaimed films, including Robert Altman’s Gosford Park and Francis Ford Coppola’s Dracula. But he attributes his success to his first film role, starring as a flamboyantly pathetic Shakespearean in the underground hit Withnail and I. As Grant explains, “I had no notion that, almost without exception, every film offered since would be the result of playing an alcoholic out-of-work actor.” In With Nails, Gran...
New Yorkers Grant and his girlfriend Mariah decided on a whim to buy an old plantation house in the Mississippi Delta. This is their journey of discovery to a remote, isolated strip of land, three miles beyond the tiny community of Pluto. They learn to hunt, grow their own food, and fend off alligators, snakes, and varmints galore. They befriend an array of unforgettable local characters, capture the rich, extraordinary culture of the Delta, and delve deeply into the Delta's lingering racial tensions. As the nomadic Grant learns to settle down, he falls not just for his girlfriend but for the beguiling place they now call home.
No-one travels like the renowned writer-adventurer Richard Grant and, really, no-one should. Having narrowly escaped death at the hands of Mexican drug barons in Bandit Roads, he now plunges with his trademark recklessness and curiosity into Africa. Setting out to make the first descent of a previously unexplored river in Tanzania, he gets waylaid by thieves, whores and a degenerate former golf pro in Zanzibar, then crosses the Indian Ocean in a cargo dhow before the real adventure begins on the Malagarasi river. Travelling by raft, dodging bullets, hippos, lions and crocodiles, hacking through swamps and succumbing to fevers, Grant's gripping, illuminating and often hilarious book will thrill his devoted readers and bring him to an even broader audience.
"Natchez, Mississippi, once had more millionaires per capita than anywhere else in America, and its wealth was built on slavery and cotton. Today it has the greatest concentration of antebellum mansions in the South, and a culture full of unexpected contradictions. Prominent white families dress up in hoopskirts and Confederate uniforms for ritual celebrations of the Old South, yet Natchez is also progressive enough to elect a gay black man for mayor with 91 percent of the vote"--
_______________________ 'Hums with particularity and vision' - Observer 'Never before has the painful, knotty journey to maturity been depicted with such gusto, and never has the venerable Bildungsroman received such riotously profane treatment' - New York Times _______________________ The acclaimed autobiographical debut novel by Oscar-winning screenwriter Bruce Robinson, the author of Withnail and I This is the story of a dysfunctional family. It is about a boy and his grandpa, life and death, sex and hate, dog's meat and cancer. It is also about pornography, enemas, Morse codes, puberty, secrets, God and loathing. It is also about love.
Following the bestselling publication of THE KENNETH WILLIAMS DIARIES, the devastating self-portrait of one of our most loved and complex performers is completed with this marvellous selection of his letters. This is a wonderful treasure trove of correspondence with all manner of people, including Alec Guinness, Maggie Smith, Joe Orton, Richard Burton and Elizabeth Taylor, and the Stokers' Mess of HMS Leverton. Kenneth Williams took letters very seriously, and he was always disgusted by a morning that failed to provide him with some material to pore over. Letters called forth the performer in Williams in a way that his diaries never did: many of them are virtual comic monologues, and in general they suggest more strongly than the diaries the likeable and constructive side of a man who remains, nevertheless, as outrageous and 'difficult' as ever.
From the acclaimed author of Dispatches From Pluto and Deepest South of All, a harrowing travelogue into Mexico’s lawless Sierra Madre mountains. Twenty miles south of the Arizona-Mexico border, the rugged, beautiful Sierra Madre mountains begin their dramatic ascent. Almost 900 miles long, the range climbs to nearly 11,000 feet and boasts several canyons deeper than the Grand Canyon. The rules of law and society have never taken hold in the Sierra Madre, which is home to bandits, drug smugglers, Mormons, cave-dwelling Tarahumara Indians, opium farmers, cowboys, and other assorted outcasts. Outsiders are not welcome; drugs are the primary source of income; murder is all but a regional past...
Talks about Richard E Grant's debut behind the camera, as writer and director of his autobiographical movie. This title offers an insight into agonies he encounters along the way, and it is also a portrait of his childhood and his love affair with Swaziland, where he was born and brought up during the last throes of the British Empire.
A young boy is traded by his father to Oasis--a monstrous vehicle that moves inexorably across the wasteland, dispensing treatment for "The Crying", a plague of madness that has destroyed the land. "A daring and fearless writer, possessing uncommon ambition, talent, and literacy".--Washington Post Book World.
Fascinated by the land of endless horizons, sunshine, and the open road, Richard Grant spent fifteen years wandering throughout the United States, never spending more than three weeks in one place, and getting to know America's nomads.In a richly comic travelogue, Grant uses these lives and his own to examine the myths and realities of the wandering life, and its contradiction with the sedentary American dream.