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Existentialism
After an Introduction examining the historical moment of Existentialism, as a product of wartime discipline and consciousness, this book sets out the thinking of Kierkegaard and Nietzsche, Jean-Paul Sartre, Simone de Beauvoir, Martin Heidegger and Karl Jaspers on the broad questions of What is Man?';' What Can I Know?' and' What must I do?' It introduces models of Abandonment, The Absurd and Ambiguity; Consciousness and Freedom; Being-in-itself and Being-for-itself, Bad Faith, Facticity and Possibility, Dasein, or there-being, Temporality, attitudes towards Death; The Will-to-Power, The Superman, and the so-called Kingdom of Ends. The book glances throughout at literary contributions to Existentialism, and ends with brief biographies of the major Existentialists and an extensive glossary of terms.
Grasmere 2009: Selected papers from the Wordsworth Summer Conference
The keynote lectures in this collection are those by Dame Gillian Beer on Darwin and Romanticism, Richard Cronin on Wordsworth and the Periodical Press, Paul H. Fry on Wordsworth, Coleridge and the topos of Labour, Claire Lamont on the Romantic Cottage, and Nicholas Roe on Keats and the Elgin marbles (with five illustrations). In the conference papers, Jamie Baxendine writes on Intimations, James Castell on Peter Bell, Lexi Drayton on the Gypsy figure in Tintern Abbey and associated poems and painting, Mark Sandy on 'the circulation of grief', Chris Simons on Wordsworth and his patrons, Emily Stanback on medical taxonomy, Heidi Thomson on Sara Coleridge's editing of Biographia Literaria, and Saeko Yoshikawa on Sara Hutchinson (the younger)'s Journals of 1850.
Reading Dickens's Bleak House
This readers; guide to Bleak House begins with a general introduction to Dickens in the context of his times, stressing the public themes of the novel and the experimental aspects of its technique. Later chapters contain a survey of its major characters and aspects of Dickens's characterization; the pleasures of serial reading; a detailed analysis of several key passages; an exploration of Dickens's craft and the status of this novel as an experimental fiction; a discussion of Dickens and; the woman question; and a survey of critical reception of what many regard as Dickens's greatest novel.
Grasmere 2010: Selected Papers from the Wordsworth Summer Conference
A selection of keynote lectures and conference papers from the prestigious 2010 Wordsworth Summer Conference. Contains 1. Simon Bainbridge, 'The Power of Hills': Romantic Mountaineering; 2. Peter Spratley, Wordsworth's Walking Aesthetic; 3. Gary Harrison, The Poetics of Acknowledgment: John Clare; 4. James Castell, The Society of Birds in Home at Grasmere; 5. Nahoko Miyamoto Alvey, 'Kubla Khan' and Orientalism: The Roads to and from Xanadu; 6. Saeko Yoshikawa, Wordsworth in the Guides; 7. Daniel Robinson, Mary Robinson and the Della Crusca Network; 8. Erica McAlpine, Keats's Might: Subjunctive Verbs in the Late Poems; 9. Fay Yao, 'Old Romance' and New Narrators: A Reading of Keats's 'Isabella' and 'The Eve of St Agnes'; 10. Anthony John Harding, The Fate of Reading in the Regency; 11. Ken Johnston, Wordsworth at Forty: Memoirs of a Lost Generation; 12. Richard Gravil, Is The Excursion a 'metrical Novel?'; 13. Seamus Perry, Wordsworth's Pluralism.
Romantic Dialogues: Anglo-American Continuities, 1776-1862
Romantic Dialogues, first published in 2000, contributed to the modern recovery of a transatlantic dimension in literary studies. Part 1 of the book reassesses the events of 1776 as a painful amputation, severing one part of a close-knit republican community from the other. It looks at English visions of America, from Blake’s America, to Barbauld’s Eighteen Hundred and Eleven, and at Romantic Americans such Samuel Williams, William Ellery Channing, Gilbert Imlay and Estwick Evans, who absorbed England’s Romantic revolution long before America’s literary awakening took place. It considers, also, the periodical wars that followed the War of 1812, America’s aspiration to an intellectu...
Grasmere 2012: Selected Papers from the Wordsworth Summer Conference
Five keynote lectures and seven papers from the 41st Wordsworth Summer Conference. In this selection of twelve specially chosen Lectures and Papers from the Wordsworth Summer Conference, Heather Glen writes on 'We are Seven' in the context of population studies in the 1790s, Judith W. Page on Beatrix Potter and William Wordsworth, Anthony Harding on Wordswortyh, Coleridge and the Reading Public, Pamela Woof and Suzanne Stewart on Dorothy Wordsworth's writing, Peter Swaab on Sara Coleridge as a Wordsworth critic, Heidi Thomson on Wordworth and Auden, Judyta Frodyma on Bishop Lowth and 'Home at Grasmere', Stacey McDowell on Keats and Indolence, Catherine Redford on 'The Last Man' and Romantic Archaeology, Paul Whickman on Shelley's revisions of 'Laon and Cythna', and Jason Goldsmith on 'picturesque travel, or viewing landscape by painting it. The final essay includes twelve original landscapes, mostly in colour.
William Wordsworth: Lyrical Ballads (1798)
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Wordsworth’s Bardic Vocation, 1787–1842
From 1787 to 1842, Wordsworth was preoccupied with the themes of loss and death, and with 'natural piety' in the lives of people and nations. Beginning with his consciousness of the Bards and Druids of Cumbria, this book treats Wordsworth's oeuvre , including the 'Gothic' juvenilia, The Ruined Cottage , Lyrical Ballads , Poems in Two Volumes , The Excursion , and the Poems of 1842, as unified by a Bardic vocation, to bind 'the living and the dead' and to nurture 'the kind'.
Wordsworth and Helen Maria Williams; or, the Perils of Sensibility
This book examines the connection between William Wordsworth and the work of Helen Maria Williams and the effect this connection may have had on his reception by such hostile critics as Francis Jeffrey. Why did Wordsworth write his first published poem to Helen Maria Williams? What role did she play in forming his views of poetry, and of the French Revolution? Why was Wordsworth able to recite in 1820 a poem by Miss Williams that he first read in 1790? Was his own poetical sensibility comparable with that of the older woman? Did the reception of Wordsworth’s Poems, in Two Volumes by Francis Jeffrey and others —as ‘puerile’, ‘namby-pamby’, ‘lisping’ and ‘affected’ — reflect a belief that manly sense and feminine sensibility, are not compatible? If so, why did Wordsworth run that risk? This little book attempts to suggest answers to some of those questions, and to provoke more systematic considerations of them all.
Elizabeth Gaskell: 'Mary Barton'
The Book considers what it meant to be a Unitarian in the hungry forties, what Gaskell understood of Chartism and' political economy'; and attitudes to women's rights. It discusses the many ambiguities and instabilities in the book - suggesting where the reader may need to take issue with some of the standard critical assumptions about Gaskell's text, and considers how she might be compared to Dickens - and what Dickens learned from her.And it discusses some contemporary (i.e. Victorian) and recent critical approaches to the book. The aim is to leave the reader with a great deal of respect for a novel that is sometimes underestimated - while pointing out some of its real departures from the best practice of Realist writers, practices that Mrs Gaskell herself did much to invent.
