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Madame Grès
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Christian Dior
A study of Christian Dior as an artist, focusing on his achievements through his works rather than through biography.
Orientalism
Published in conjunction with the exhibition of the same name held at The Metropolitan Museum of Art during the first quarter of 1995. The authors (both curators at The Costume Institute) explore the West's fascination with ideas and motifs from the various Easts, and demonstrate the expression of t
Cubism and Fashion
This book shows how the fundamental traits of Cubism were translated into fashion.
Francis Bacon: Couplings
A focused look at double-figure paintings by the celebrated British artist, whose disturbing portrayals radically altered the genre of figurative painting in the twentieth century. This book highlights a theme that preoccupied Francis Bacon throughout his career: the relationship between two people, both physical and psychological. At its heart are two of the most uninhibited images that Bacon ever painted: Two Figures (1953) and Two Figures in the Grass (1954). After completing these interrelated works, Bacon did not return to the subject until 1967, the year that homosexual acts in private were decriminalized in England and Wales, when he painted Two Figures on a Couch, also featured in th...
Lisa Fonssagrives
Swedish by birth, Parisian by inclination, and American following her marriage to Irving Penn in 1950. Lisa Fonssagrives-Penn (1911-1992) was the most sought-after model in the history of international fashion photography for three decades and the most famous face in such magazines as Vogue and Harper's Bazaar. During her long career, she posed for all the prominent photographers of her day: George Hoyningen-Huene, Man Ray, Horst, Erwin Blumenfeld, George Platt Lynes, Louise Dahl-Wolfe, Norman Parkinson and Richard Avedon, among others. Of special importance was her work with Fernand Fonssagrives, her first husband; with Horst, with whom she shared a common fate as a European immigrant; and ...
The Ceaseless Century
Comprises the catalogue of the exhibition of the same name held at the Metropolitan Museum of Art in the fall of 1998. Presents 84 mostly color photographs of costumes from about 1700 to the present, with commentary by The Costume Institute's curator Richard Martin. 9x12". Annotation copyrighted by Book News, Inc., Portland, OR
Haute Couture : [exhibition held at] The Metropolitan Museum of Art, New York, [December 7, 1995 - March 24, 1996]
Published to accompany an exhibition at the Metropolitan Museum's Costume Institute, December 1995-March 1996. A lovely presentation of designs that exemplify the rise of haute couture--that is, fashion driven by the artistic expression of the designer rather than by the dictates of clients. The thoroughly captioned selections represent the history of haute couture from its beginings in mid-19th century Paris to the present-day creations of major designers. Tailoring and dressmaking techniques as well as the decoration produced by embroiderers, beaders, lace makers, feather workers, and other craftspeople are discussed in the explanatory text. No bibliography. Distributed by Abrams. Annotation copyright by Book News, Inc., Portland, OR
Electronic Structure
An important graduate textbook in condensed matter physics by highly regarded physicist.
Infra-apparel
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