You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The headlines that followed the hardcover publication of this unflinching memoir testify to its power: "Poet's memoirs lead to arrest of alleged child molester," "Author's writing on abuse brings new victims forward." In a new afterword, Richard Hoffman writes about the events his book set in motion, the cries for help he received from men across the country, and the talk he had with an eleven-year-old boy who thanked him "for making it stop." Against the backdrop of postwar, blue-collar America, Half the House depicts a family's struggles to care for two terminally ill children, recounts the sexual abuse to which the author, at age ten, was subjected by his coach, and explores the ways in which grief and rage estrange those who need each other most. A testament to the healing power of truth telling, this "spare, poignang" memoir (Time) "offers heartening evidence, to borrow William Faulkner's phrase, of the human capacity to endure and prevail" (Washington Post).
None
Poetry. "In Richard Hoffman's long, complex title poem, which anchors his concerns throughout the book, he says with characteristic lucid candor, '...now when longevity itself begins to seem at once / the only wealth worth having and the booby prize.' It should be noted that NOON UNTIL NIGHT is not a book about noon until evening. Yet the darkness that night suggests has its rays of hope in it, as Hoffman artfully meditates on how we live and, without sentimentality, manage to go on."--Stephen Dunn
It Always Rains in November follows the story of a dysfunctional family, hiding a dark, disturbing secret.
None
A true account of a shoot-down, capture, imprisonment and liberation. The author was in Germany's Stalag 17B, force- marched across Austria, and had a horrifying brush with the holocaust. Patton's troops liberated him and returned him to front line duty. He helped capture many enemy troops before war's end.
An acclaimed author reflects on his upbringing in a post–World War II blue-collar family and comes to terms with the racism, sexism, and other toxic values he inherited. Finalist for the 2014 New England Book Award in Non-Fiction Richard Hoffman sometimes felt as though he had two fathers: the real one who raised him and an imaginary version, one he talked to on the phone, and one he talked to in his head. Although Hoffman was always close to the man, his father remained a mystery, shrouded in a perplexing mix of tenderness and rage. When his father receives a terminal cancer diagnosis, Hoffman confronts the depths and limitations of their lifelong struggle to know each other, weighing the...
_______________ 'Gilbert takes us on a grit-strewn ride into the heart of Country and Western territory: good old boys, cowgirls, dingy bars, the backwaters and empty plains of America' - Sunday Times 'The heroes of Pilgrims, Elizabeth Gilbert's gimmickless story collection, are everyday seekers...This first-time writer has all the hallmarks of a great writer: sympathy, wit, and an amazing ear for dialogue' - Harper's Bazaar _______________ The very first book by the multimillion-copy bestselling author of Eat Pray Love: A memorable collection of short stories of individuals pursuing their own American pilgrimage The cowboys, strippers, labourers and magicians of Pilgrims are all on their wa...
"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.
The headlines that followed the hardcover publication of this unflinching memoir testify to its power: "Poet's memoirs lead to arrest of alleged child molester," "Author's writing on abuse brings new victims forward." In a new afterword, Richard Hoffman writes about the events his book set in motion, the cries for help he received from men across the country, and the talk he had with an eleven-year-old boy who thanked him "for making it stop." Against the backdrop of postwar, blue-collar America, Half the House depicts a family's struggles to care for two terminally ill children, recounts the sexual abuse to which the author, at age ten, was subjected by his coach, and explores the ways in which grief and rage estrange those who need each other most. A testament to the healing power of truth telling, this "spare, poignang" memoir (Time) "offers heartening evidence, to borrow William Faulkner's phrase, of the human capacity to endure and prevail" (Washington Post).